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ACHIEVEMENT 


THE  LIBRARY 

OF 

THE  UNIVERSITY 

OF  CALIFORNIA 

LOS  ANGELES 


^^/ 


^^^^''"l^f  vi^' 


ACHIEVEMENT 


lA  Treatise  on  One  of  the  Factors 

in  the  ^Advancement  of  the 

^rt  of  "Printings  with 

Examples 


1920 


JAPAN   PAPER  COMPANY 

•'  3HT  -lo  JAaai/. 

\  e  -v:  To  r  k 

IHSA^O  TO  aTUTIT8VII    ^A 


To  r  k 


MEDAL   OF  THE 

AMERICAN    INSTITUTE  OF  GRAPHIC  ARTS 

Designed  hy  James  E.  Fraser 


ACHIEVEMENT 


zA  'Treatise  on  One  of  the  Factors 

in  the  '^Advancement  of  the 

<iArt  of^rinting^  with 

examples 


m 


1920 

JAPAN  PAPER  COMPANY 

J^w  York 


Copyright  1920 
Japan  Paper  Company 


z 

/2I 

THE  J; 

TRiNTiNg  exhibitio:ac 


AMERICAN    INSTITUTE    OF 
GRAPHIC    ARTS 


{etwig  forth  the  fact  that  of  all 
the  specimens  of  pri?tting  show?t 
at  this  great  exhibitiofi  a  large  per- 
centage were  printed  on  ha?idmade 
papers  supplied  exclusively  by  the 
Japan  Paper  Company. 

This  is  the  more  significant  since 
the  exhibition  contained  specimens  of 
printing  from  all  parts  of  the 
United  States  and  Canada;  repre- 
senting every  variety  of  work  from 
widely  scattered  sources^  all  indicating 
the  unmistakable  trend  toward  the 
use  of  handmade  papers  for  the  best 
printed  matter. 


CADE:  ''Thou  hast  most  traitorously  corrupted 
the  youth  of  the  realm  in  erecting  a  grammar 
school;  and  whereas ^  before ^  our  forefathers  had  no 
other  books  but  the  score  and  the  tally ^  thou  hast 
caused  printing  to  be  used;  and^  contrary  to  the  king^ 
his  crown^  and  dignity,  thou  hast  built  a  paper-mill.'' 

— King  Henry  VI,  Part  2,  Act  IV,  Scene  7. 


ACHIEVEMENT 

THE  American  Institute  of  Graphic  Arts  held  an 
exhibition  of  Printing  in  the  galleries  of  the  National 
Arts  Club  in  New  York,  from  May  fifth  to  June  first, 
Nineteen  hundred  and  twenty. 

The  purpose  of  this  exhibition  was  to  assemble  a  rep- 
resentative collection  of  contemporary  x'^merican  printing, 
definitely  to  indicate  the  standards  attained  by  the  print- 
ing art  in  this  country. 

The  announcement  of  the  exhibition  met  with  instant 
response  from  representative  printers  in  all  sections  of 
the  United  States  and  Canada.  Thousands  of  specimens 
were  submitted  to  the  Committee,  and  after  careful  ex- 
amination over  fifteen  hundred  were  selected  for  exhibition. 

The  classification  of  exhibits  included  Books,  Cata- 
logues, Labels,  Booklets,  Circulars,  Stationery,  Calendars, 
Wrappers,  Display  Cards,  Cards,  Folders,  Posters,  Prints, 
Advertisements,  Color  Printing  and  Maps. 

That  the  purpose  of  the  exhibition  was  accomplished 
in  large  measure,  is  best  evidenced  by  the  enthusiastic 
interest  displayed  by  the  many  devotees  of  the  printing 
art  who  were  daily  visitors.  Further  indication  of  this  is 
to  be  found  in  the  published  comments  on  the  exhibition 
appearing  in  the  trade  publications  and  newspapers. 

The  Committee  of  Judges  awarded  gold,  silver  and 
bronze  medals  as  announced  elsewhere  in  this  volume;  The 


Page  8  Achievement 

American  Institute  of  Graphic  Arts  Gold  Medal  for  the 
best  specimen  in  the  Exhibition  was  awarded  to  No.  277: 
book,  15x20,  title  "Old  Masters  Drawings,"  printed  for 
Mortimer  L.  Schiff,  printed  by  Norman  T.  A.  Munder 
Company;  cover  French  Marble  paper;  text  192  pages, 
end  and  fly  leaf  unbleached  handmade  Arnold  paper; 
photogravure  illustrations;  exhibited  by  Norman  T.  A. 
Munder  Company  of  Baltimore. 

One  outstanding  feature  of  this  great  exhibition  almost 
universally  observed  and  widely  commented  on,  is  the 
large  proportion  of  the  exhibits  printed,  wholly  or  in  part, 
upon  paper  supplied  by  the  Japan  Paper  Company. 

Of  the  total  number  of  specimens  shown  in  the  various 
classes,  the  percentage  of  those  on  handmade  papers  were 
as  follows; 


Folders 

49% 

Posters 

43% 

Cards 

51% 

Prints  (typographic) 

25% 

Labels 

59% 

Books 

39% 

Circulars 

58% 

Catalogues 

12% 

Stationery 

22% 

Booklets 

40% 

This  is  remarkable  evidence  of  the  influence  of  paper 
upon  the  advancement  of  the  standards  of  the  printing  art. 

Art  lends  inspiration  to  faith  and  faith  finds  expression 
in  works.  Twenty  years  ago  the  Japan  Paper  Company 
was  founded  upon  faith  in  the  idea  that  by  upholding  the 
finest  traditions  of  the  art  of  paper  making  and  extending 
the  market  for  its  worthiest  products,  the  printing  and 
allied  arts  could  best  be  served  and  their  standards 
advanced. 


Achievement  Page  9 

This  printing  exhibition  has  furnished  evidence  that 
this  faith  was  more  than  justified.  It  has  demonstrated 
that  the  rare  handmade  papers  from  Europe  and  the 
Orient,  handled  exclusively  by  the  Japan  Paper  Company, 
have  been  a  powerful  factor  in  the  development  of  the 
printing  art  in  the  western  hemisphere. 

It  has  been  the  constant  effort  of  this  company  to 
advance  the  interests  of  the  Graphic  Arts  by  making  a 
special  study  of  fine  papers,  by  obtaining  the  finest  grades 
from  various  parts  of  the  world,  and  presenting  them  in 
the  most  attractive  manner. 

In  the  beginning  of  its  business  the  company  dealt 
exclusively  in  the  products  of  Japan,  hence  the  name, 
Japan  Paper  Company;  later  the  papers  of  China  and 
Korea  were  added,  and  as  the  appreciation  of  their  possi- 
bilities warranted,  the  papers  of  the  European  makers 
were  included. 

The  officers  of  the  Company  have  traveled  extensively 
through  Europe  and  the  Orient  to  obtain  the  finest 
products  of  foreign  paper  makers  for  the  American  market. 

In  the  exploitation  of  these  exceptional  papers  they 
have  enjoyed  the  enthusiastic  cooperation  of  progressive 
artists  and  printers  who  have  not  been  lacking  in  appre- 
ciation of  their  unusual  merits  and  artistic  possibilities. 
The  results  were  admirably  shown  in  the  printing  exhibi- 
tion in  the  remarkable  collection  of  catalogues,  booklets, 
folders,  circulars,  posters,  labels  and  cards  featuring  these 
distinctive  papers. 

During  the  war,  which  made  the  supply  of  these  foreign 


Page  lo  Achievement 

papers  practically  unavailable,  the  Japan  Paper  Company 
was  able  to  render  peculiarly  valuable  service  to  the  Ord- 
nance Department  of  the  Government  in  producing  certain 
useful  materials  unobtainable  from  any  other  source. 

Since  the  termination  of  hostilities,  trips  have  been 
made  to  Europe  and  the  Orient  by  officers  of  the  company, 
for  the  purpose  of  securing  an  early  resumption  of  trade 
relations  to  meet  the  growing  demand  for  these  unusual 
papers  of  foreign  manufacture. 

It  is  generally  conceded  that  the  printing  art  has  made 
more  progress  in  the  last  twenty-five  years  than  in  the 
century  preceding.  It  is  not  too  much  to  say  that  one 
of  the  most  helpful  influences  to  which  this  progress  must 
be  attributed  is  the  encouragement  and  sympathetic 
cooperation  afforded  to  the  earnest  and  progressive 
craftsmen  by  the  Japan  Paper  Company  in  furnishing 
papers  offering  such  tempting  possibilities  to  the  artist 
and  printer.  These  papers  by  their  very  texture,  color, 
substance  and  "feel"  may,  unadorned  by  design 
or  text,  suggest  almost  every  human  emotion  as 
tenderness,  virility,  anger,  vigor,  daintiness,  sentiment, 
strength,  etc. 

To  the  artist  and  printer  blessed  with  a  genuine  ap- 
preciation of  their  distinctive  charm  they  offer  an  endless 
opportunity  for  his  best  expression. 

A  brief  reference  to  some  of  the  principal  sources  of 
supply  of  these  papers  may  not  be  without  interest. 

China,  though  the  first  country  to  engage  in  the  paper 


Achievement  Page  1 1 

making  industry  has  been  singularly  lacking  in  its  develop- 
ment. It  is  characteristic  of  the  Chinese  to  cling  to  the 
past  and  to  turn  a  deaf  ear  to  the  calls  of  progress.  From 
the  Chinese  point  of  view  that  which  the  past  accepted 
is  good  enough  to  meet  the  needs  of  today.  This  element 
in  the  Chinese  character  is  exemplified  by  the  fact  that 
in  common  use  may  be  found  today  many  sheets  of  Chinese 
papers  not  varying  in  a  single  detail  of  quality,  size, 
texture,  color  and  crudity  from  their  prototypes  of  many 
centuries  past. 

This  has  served  to  establish  for  these  papers  a  place 
all  their  own,  and  has  undoubtedly  restricted  the  varieties 
of  handmade  papers  of  Chinese  origin.  Fortified  by  this 
isolation  they  stand  apart  untouched,  unchanged  by  the 
progress  of  the  new  world.  In  this  respect  they  perfectly 
typify  the  vast  kingdom  whence  they  come,  so  slow  to 
open  its  doors  to  admit  the  wonders  of  modern  progress. 
The  Chinese  papers  bear  the  earmarks  of  the  first  great 
invention  and  suggest  grimly  the  conditions  of  those  dim 
days  of  the  past  which  still  live  in  China.  A  fair  exam- 
ple of  this  is  the  Hang  Chow  representing  the  unchanging 
customs  of  centuries.  Its  merit  lies  in  its  appearance  of 
age  and  the  interest  it  cannot  fail  to  attract  by  its  warm 
tint  and  unusual  texture.  The  poster  "Old  China"  im- 
printed on  this  paper  received  the  award  of  the  silver 
medal  in  the  poster  class. 

J  apan,  notwithstanding  her  close  geographical  relation  to 
China  seems  to  afford  a  peculiar  contrast  to  her  neighbor 


Page  12  Achievement 

In  the  development  of  her  paper-making  industry.  The 
Japanese  more  than  any  other  nation  have  progressed 
in  the  art  of  producing  fine  papers  of  vegetable  fibre. 

Though  originating  in  China,  this  industry  has  made 
its  greatest  strides  in  the  land  of  Nippon.  The  Japanese 
have  devised  improvements  which  have  left  the  products 
of  Chinese  paper  makers  far  behind. 

Indigenous  to  the  Island  are  the  Kodzu,  Mitsumata 
and  Gampi  shrubs,  from  which  Japan's  entire  output 
of  native  paper  is  made.  These  shrubs  are  very  similar 
to  the  mulberry  plant,  and  the  soft  beautiful  lustre  which 
characterizes  Japanese  paper  is  due  to  the  peculiar  silky 
texture  of  this  fibre. 

Domestic  architecture  in  Japan  was  aided  largely  by 
the  addition  of  paper  as  material  for  house  building, 
in  the  form  of  the  shoji  (or  window),  and  the  use  of  the 
fan,  parasol,  lantern  and  screen,  and  above  all  as  shown 
in  the  art  of  the  people,  by  kakemonos  and  prints — all  of 
early  origin  in  Japan. 

These  led  to  a  demand  that  rapidly  developed  and 
resulted  in  many  new  uses  and  in  a  manufacture  that  be- 
came practically  universal  throughout  the  island.  So 
great  is  the  variety  now  produced  that  it  is  impossible  to 
offer  any  one  sheet  as  typical  of  Japanese  manufacture, 
but  without  doubt  the  best  known  is  the  famous  handmade 
Japanese  Vellum  paper  which  is  universally  used  for  fine 
books  and  plate  and  process  reproductions. 

The  many  other  styles,  each  in  itself  individual,  are 
becoming  more  generally  known  and  appreciated,  through 


Achievement  Page  13 

their  adaptability  to  the  interests  of  modern  advertising, 
especially  when  the  wares  in  question  possess  a  character, 
worthy  of  reflection  in  the  quality  and  novelty  of  the 
paper  and  when  the  artistic  may  vie  with  the  commercial. 

Spanish  claims  to  the  distinction  of  being  the  first 
country  in  Europe  to  engage  in  the  manufacture  of  paper 
are  disputed  by  Italy.  Support  is  found  for  the  claims 
of  Spain  in  the  fact  that  through  the  intercourse  of  wars 
the  Chinese  came  into  contact  with  the  Arabs  who 
acquired  from  them  the  secret  of  paper  making  and  at 
once  put  it  into  practice  with  the  use  of  linen  and  cotton 
rags  obtained  from  their  discarded  cloaks  and  mantles. 
It  was  early  in  the  eleventh  century  that  this  industry 
was  started  in  the  old  city  of  Toledo  whence  it  spread 
throughout  the  country.  Departing  from  her  traditions 
which  have  led  her  in  most  matters  to  cling  to  the  old 
times  and  ancient  customs  Spain  has,  singularly  enough, 
in  her  paper  industry  failed  to  carry  on  in  the  development 
of  handmade  papers.  These  are  being  gradually  but 
certainly  replaced  by  the  machine  made  sheets.  One  or 
two  "tubs"  still  survive  however  and  the  quality  of  their 
output  is  beyond  question. 

The  excellent  character  of  these  papers  and  their 
limited  variety  but  add  to  their  value,  and  their  resulting 
exclusiveness  renders  them  particularly  useful  and  in- 
teresting for  certain  purposes. 

The  pretentions  of  Italy  as  the  first  of  the  European 
countries  to  seriously  undertake   the  making  of  papers 


Page  14  Achievement 

are  not  to  be  ignored.  To  her  must  be  accorded  the  credit 
for  first  introducing  the  use  of  animal  size,  replacing  the 
vegetable  size  originally  used  by  the  Chinese. 

Early  in  the  eleventh  century  paper  making  was  in- 
augurated at  Amalfi  and  at  Fabriano.  Both  mills  are 
still  in  existence;  the  former  little  more  than  a  relic;  the 
latter  a  great  plant,  turning  out  the  wonderful  papers 
which  bear  its  name. 

In  these  mills  the  crude  original  forms  are  still  largely 
used  and  the  papers  have  lost  little  of  their  original 
character  except  that  they  have  progressed  in  their 
adaptation  to  modern  needs.  One  sheet  in  particular  is 
still  produced  as  it  was  in  the  early  thirteenth  century 
and  it  shows  the  great  coarse  screen  and  the  crude  water- 
mark of  the  Star. 

Among  all  of  the  handmade  papers  in  present  use 
those  from  the  Italian  mills  have  a  peculiar  charm  of 
texture  and  color,  and  they  fittingly  adorn  many  delightful 
specimens  of  the  printing  art. 

In  France  the  making  of  paper  is  rated  as  a  national 
industry.  Its  introduction  is  generally  assigned  to  the 
latter  part  of  the  twelfth  century  and  a  French  water- 
mark is  said  to  exist  bearing  date  of  1282. 

To  Beaumarchais  is  accredited  the  preservation  and 
conservation  of  three  famous  mills,  one  at  Arches,  one  at 
Archettes,  and  one  at  Plombieres  (all  founded  in  1492). 

Mills  were  scattered  about  central  and  southern  France 
especially  in  Lorraine,  and  Vosges,  where  the  air,  the 


Achievement  Page  i^ 

brooks  and  the  rivers  were  exceptionally  pure,  giving  to 
the  pulp  the  desired  whiteness;  for  in  paper  making 
natural  forces  play  a  great  part.  Moreover,  work  with 
the  hands  was  not  considered  menial,  and  the  art  was 
handed  down  from  father  to  son  as  an  inheritance,  many 
of  the  smaller  mills  not  even  employing  outside  help,  the 
women  of  the  household  taking  part  in  the  enterprise. 
The  larger  mills  took  on  the  form  of  schools  or  ateliers, 
where  the  boys  were  apprenticed  for  a  term  of  years; 
thus  the  youths  were  brought  up  to  love  the  trade  which 
their  forefathers  had  left  them. 

The  works  of  art,  the  glory  of  the  Renaissance  were 
printed  on  the  beautiful  rag  papers  which  the  finesse,  and 
love  of  handiwork  of  the  Frenchman  had  created,  and 
today  the  fine  books  of  France  are  still  made  with  the 
same  materials.  That  these  materials  have  lived  is  due 
to  their  worth,  and  that  this  worth  is  just  as  inherent  to- 
day as  then,  has  been  proved  by  their  adaptation  to 
works  above  the  ordinary  in  this  country. 

England  with  characteristic  conservatism  was  the  last 
of  the  old  world  countries  to  engage  in  paper  making. 
For  many  years  the  handmade  papers  for  England  were 
imported  from  France  and  Holland.  Not  until  the  six- 
teenth century  was  the  industry  firmly  established  in 
England  though  this  followed  a  long  period  of  experi- 
mentation dating  back  well  into  the  previous  century. 

The  same  conservatism  prevented  development  up  to 
about   1685  when,  as  the  records  show,  the  Huguenots 


Page  i6  Achievement 

emigrating  from  France  revived  the  industry  and  thus  the 
art  and  mills  were  started  in  England  on  the  same  plan  as 
in  France,  being  handed  down  from  father  to  son,  from 
generation  to  generation. 

So  the  handiwork  was  cultivated  and  continually 
bettered  with  typical  British  thoroughness,  which  cul- 
minated in  the  high  standard  demanded  by  William  Morris 
in  his  shop  at  Kelmscott.  Here  he  revolutionized  the 
art  of  book  making,  the  influence  of  which  is  still  felt  and 
demonstrated  by  many  workshops  and  presses  patterned 
after  his.  Not  alone  do  his  theories,  ideals  and  books 
live,  but  the  materials  he  used,  designed  as  they  were  to 
meet  his  high  requirements,  still  survive  and  are  as  repre- 
sentative of  worth  and  quality  today  as  at  the  time  of 
their  inception. 

It  is  interesting  in  this  connection  to  note  that  the 
Kelmscott  paper  is  still  made  in  the  same  way  and  by  the 
same  people.  It  naturally  follows  that  a  paper  which 
answers  such  requirements  is  a  safe  medium  to  use  today 
in  any  form  of  good  advertising. 

If  England  was  the  last  of  the  European  countries 
to  enter  the  field  of  paper  making,  her  advancement  in 
the  art  has  been  equally  notable.  Indeed  her  progress 
in  this  industry  has  fully  kept  pace  with  her  advancement 
in  every  manifestation  of  the  graphic  arts;  and  who  does 
not  pay  tribute  to  her  master  craftsmen  of  this  and  the 
preceding  century  in  "the  art  of  all  arts  preservative?" 

To  those  hereditary  artisans  of  Orient   and  Occident 


Achievement  Page  17 

whose  skill,  industry  and  ingenuity  have  developed  and 
preserved  for  the  use  of  the  modern  craftsmen  these 
wonderful  handmade  papers,  must  be  accorded  a  promi- 
nent place  among  the  factors  which  make  for  printing  of 
the  highest  quality.  To  the  Japan  Paper  Company 
great  credit  is  due  for  making  these  remarkable  papers 
available  to  the  printers  of  America. 

The  achievement  of  their  high  purpose  is  thus  signal- 
ized as  evidence  of  the  vast  influence  of  the  paper  makers 
in  the  advancement  of  the  Art  of  Printing. 


EXAMPLES 

of  exhibits  made  wholly  or  in  part  of 

the   handmade  papers   of  the 

Japan  T'aper  (Company 


NOTE 

/N  the  list  zvhich  foikzvs,  the  items 
marked  with  an  asterisk  (*J  were 
not  eligible  to  competition,  the  exhib- 
itors being  on  the  Committee  of  Judges. 


EXAMPLES 

BOOKS 

Book,  The  Merrymount  Press;  8  x  loj^^;  printed  for  and  exhibited       *42 
by  D.  B.  Updike.    Cover,  handmade  XIII  Century  paper;  text 
(24  pages),  handmade  Italian  paper. 

Book,  The  Isle  of  Pines;  6^  x  8K;  printed  for  the  Club  of  Odd       *43 
Volumes;   printed   and   exhibited    by   D.    B.   Updike.     Cover, 
handmade  French  Marble  paper;  text  (120  pages),  special  hand- 
made paper. 

Book,  Bibliotheca  Americana;  7x11;  printed  and  exhibited  by      *45 
D.    B.    Updike.     Cover,    handmade    Roma    paper;    text    (240 
pages),  handmade  Fabriano  paper. 

Book,  A  Catalogue  of  the  Collection  of  Prints  from  the  Studiorum      *^6 
of  Joseph  M.  W.  Turner;  9  x  12^;  privately  printed;  printed 
and  exhibited  by  D.  B.  Updike.     Cover,  handmade  Florentine 
paper,  stamped  in  gold. 

Book,  The  Jonny-Cake  Papers;  6x9;  printed  for  subscribers;      *48 
printed  and  exhibited   by  D.   B.  Updike.     Cover,   handmade 
Roma  paper;  text  (430  pages),  special  handmade  paper. 

Book,  A  Catalogue  of  the  Engraved  Plates  for  Picturesque  Views      *49 
in  England  and  Wales;  5^  x  9^;  privately  printed;  printed  and 
exhibited    by    D.    B.    Updike.     Cover,    handmade    Florentine 
paper;  text  (104  pages),  end  and  fly  leaf,  handmade  French 
paper. 

Book,  The  Metropolitan  Museum  of  Art;  5%"  x  8^;  printed  for      *50 
the  Metropolitan  Museum  of  Art;  printed  and  exhibited  by 
D.  B.  Updike.     Cover,  handmade  Florentine  paper;  text  (82 
pages),  special  handmade  paper. 

Book,  Renaissance  Courtesy-Book;  6%  x  10;  printed  for  libraries      *52 
and  collectors;  printed  and  exhibited  by  the  Merrymount  Press. 
Cover,  handmade  Roma  paper;  text  (124  pages),  special  hand- 
made paper. 


Page  22  Ex  AM  P  LES;   So<9^J 

*56  Book,  Newark;  gyi  x  12;  printed  for  the  Carteret  Book  Club 
of  Newark;  printed  and  exhibited  by  D.  B.  Updike.  Cover, 
handmade  French  Marble  paper;  text  (54  pages),  handmade  un- 
bleached Arnold  paper;  illustrations,  wood  engravings  by 
Rudolph  Ruzicka. 

*58  Book,  Isaiah  Thomas;  6}^  x  9^;  printed  for  The  Club  of  Odd 
Volumes;  exhibited  by  D.  B.  Updike.  Printed  by  Isaiah 
Thomas.     Cover,  Fabriano  Cover. 

*S9  Book,  The  Parochial  Library  of  the  XVIII  Century  in  Christ 
Church;  5^  x  8>^;  printed  and  exhibited  by  the  Merrymount 
Press;  privately  printed.  Cover,  handmade  French  Marble  paper. 

*6o  Book,  Abroad  with  Jane;  \%  x  7;  privately  printed;  printed  and 
exhibited  by  D.  B.  Updike.  Cover,  handmade  French  Marble 
paper. 

*6l  Book,  Two  Letters  from  General  fFilliatn  Tecumseh  Sherman; 
6%  x  9;  privately  printed;  printed  and  exhibited  by  D.  B.  Up- 
dike.    Text  (24  pages),  special  handmade  paper. 

*62  Book,  Pierrot's  Verses;  4^  x  6^;  printed  and  exhibited  by 
the  Merrymount  Press;  privately  printed.  Cover,  handmade 
Shadow  paper. 

*6'j  Book,  A  Descriptive  Catalogue;  printed  for  the  Caxton  Club; 
exhibited  by  Walter  Gilliss.  Cover,  end  and  fly  leaf,  handmade 
Florentine  paper. 

*68  Book,  The  Iconography  of  Manhattan  Island;  8  x  11;  printed  for 
Robert  H.  Dodd;  exhibited  by  Walter  Gilliss.  Backbone  and 
cover,  Sheepskin  Parchment;  text  (1,000  pages),  special 
handmade  Kelmscott  paper. 

*7i  Book,  The  Gate  of  Peace;  6}4  x  10;  privately  printed;  designed  by 
by  F.  W.  Goudy;  printed  and  exhibited  by  F.  W.  and  Bertha 
Goudy.  Cover,  Fabriano  Cover;  text  (24  pages),  end  and  fly 
leaf,  handmade  Kelmscott  paper. 

*72  Book,  7"//!?  Door  in  the  Wall;  11  x  15;  designed  by  F.  W.  Goudy 
for  Mitchell  Kennerley;  printed  and  exhibited  by  F.  W.  and 
Bertha  Goudy.  Text  (154  pages),  end  and  fly  leaf,  handmade 
Glaslan  paper  with  photogravure  illustrations. 


Examples:  'Books  Page  23 


Book,  Portraits;  10  x  14;  printed  for  Paul  B.  Hoeber;  designed       *73 
by  F.  W.  Goudy;  printed  and  exhibited  by  F.  W.  and  Bertha 
Goudy.     Text  (36  pages),  end  and  fly  leaf,  handmade  Kelmscott 
paper  with  photogravure  illustrations. 

Book,  Songs  of  the  Love  Unending;  6]4  x  10;  printed  and  exhib-       *74 
ited  by  F.  W.  and  Bertha  Goudy.     Printed  for  Brothers  of  the 
Book.     Cover,   Fabriano   Cover;   text   (24   pages),   handmade 
Kelmscott  paper. 

Book,  The  Princess  of  the  Tower;  6^4  x  loK;  privately  printed;       *75 
printed   and   exhibited   by   F.  W.   and   Bertha  Goudy.     Text 
(20  pages),  end  and  fly  leaf,  handmade  Arches  paper. 

Book,  A  Dedication;  7K  x  li;  composed  printed  and  exhibited         82 
by  Bertha  Goudy.    Cover,  Calfskin  Vellum;  text  (8  pages),  on 
English  Illuminating  Calfskin  Vellum  in  two  colors. 

Book,  Time  Telling  Through  the  Ages;  6}4  x  ()l4;  exhibited  by         83 
Robert  H.  Ingersoll  &  Company;  printed  for  Robert  H.  Inger- 
soU  &  Company  by  Doubleday,  Page  &  Co.     Cover,  handmade 
Roma  paper.     Plates  printed  by  William  E.  Rudge. 

Book,  To  the  Latin  American  Delegates;  8  x  io}4;  leather  cover;         86 
printed  for  American  International  Corporation  by  the  Red- 
field-Kendrick-Odell  Company.     Text  (86  pages),  and  fly  leaf 
printed  on  handmade  Japanese  Vellum  paper. 

Book,  Songs  of  Seeking  a7id  Finding;  5x8;  printed  and  exhibited  by         90 
Charles  Scribner's  Sons.   Cover,  handmade  French  Ingres  paper. 

Book,  James  Russell  Lowell;  7  x  10;  printed  and  exhibited  by      93 a 
Charles  Scribner's  Sons.     Cover,  handmade  Florentine  paper. 

Book,  The  Grove  Plays;  Syi  x  9;  printed  for  the  Bohemian  Club;         94 
printed   and  exhibited   by  H.   S.   Crocker  Company.     Cover, 
Fabriano  Cover. 

Book,  Venetia;  6j^  x  9;  privately  printed;  printed  and  exhibited         95 
by  H.  S.  Crocker  Company.     Cover,  Fabriano  Cover. 

Book,  Resolutions;  9^  x  i2y^;  printed  for  the  Spring  Valley         96 
Water  Company;  printed  and  exhibited  by  H.  S.  Crocker  Com- 
pany.   Cover,  handmade  Fabriano  paper;  backbone.  Sheepskin 
Parchment;  text  (16  pages),  handmade  Arnold  unbleached  paper. 


Page  24  Examples:  'Books 

97     Book,  Leonardo  Da  Vinci;  7  x  10^;  printed  and  exhibited  by  the 
Yale  University  Press.     Cover,  handmade  French  Marble  paper. 

loi  Book,  The  Log  of  the  Courcelette;  7  x  10;  printed  and  exhibited 
by  the  Bartlett-Orr  Press.  Cover,  handmade  Shadow  paper; 
text  (54  pages),  handmade  Spanish  paper,  printed  in  black 
with  a  halftone  tip-on. 

104  Book,  The  Mouse  and  the  Moonbeam;  7  x  10;  privately  printed; 
printed  and  exhibited  by  William  E.  Rudge.  Cover,  handmade 
Rizzi  paper;  text  (8  pages),  on  handmade  Italian  paper. 

107  Book,  Some  Milestones  in  the  History  of  the  National  Park  Bank 
of  New  York;  5x8;  printed  for  the  National  Park  Bank  of  New 
York;  printed  and  exhibited  by  William  E.  Rudge.  Cover, 
Fabriano  Cover;  backbone,  handmade  Japanese  Vellum  paper. 

108  Book,  The  Annual  Report  of  President  Kalkhoff;  6}4  x  9^; 
printed  and  exhibited  by  William  E.  Rudge.  Cover,  Fabriano 
Cover;  text  (16  pages),  end  and  fly  leaf,  handmade  Fabriano  paper. 

109  Book,  And  a  Little  Child  Shall  Lead  Them;  6x8;  privately 
printed;  printed  and  exhibited  by  William  E.  Rudge.  Cover, 
handmade  Rizzi  paper;  text  (8  pages),  handmade  Italian  paper. 

iilA  Book,  Chinese  Poems;  6  x  8^;  printed  for  and  exhibited  by  Al- 
fred A.  Knopf;  printed  by  Plimpton  Press.  Cover,  handmade 
Chinese  Figured  Gold  paper;  backbone,  Sheepskin  Parchment; 
end  and  flies,  handmade  Japanese  Vellum  paper;  text  (244  pages) 
handmade  Venetia  paper. 

I  lie  Book,  Twenty  Drawings  by  Kahlil  Gibran;  gJ/2  x  12^;  exhibited 
by  Alfred  A.  Knopf.  Printed  by  Plimpton  Press.  Cover,  hand- 
made Chinese  Figured  Gold  paper;  backbone  Sheepskin  Parch- 
ment; cover,  handmade  Ancona  paper. 

II2A  Book,  Argonaut  and  Juggernaut;  5^  x  y}4;  printed  for  and  ex- 
hibited by  Alfred  A.  Knopf.     Cover,  handmade  Ancona  paper. 

113  Book,  More  Translations  from  the  Chinese;  5^^  x  8;  printed  for 
and  exhibited  by  Alfred  A.  Knopf.  Cover,  handmade  Toyo- 
gami  paper. 

1 13 A  Book,  Sophie;  5X  x  7^;  printed  for  and  exhibited  by  Alfred  A. 
Knopf.     Cover  and  label,  handmade  Toyogami  paper. 


Examples:  'Books  Page  2$ 

Book,  Fairies  and  Fusiliers;  4  x  6>^;  printed  for  and  exhibited     113B 
by  Alfred  A.  Knopf.     Cover,  handmade  Toyogami  paper. 

Book, /«//[i?Garr<?i,  5x8;  exhibited  by  Alfred  A.  Knopf.    Printed     113c 
by  Vail-Ballou  Co.     Label  and  title  on  end,  handmade  Toyo- 
gami paper. 

Book,  We  Moderns;  5x8;  printed  for  and  designed  and  exhibited     1 14B 
by  Alfred  A.  Knopf.     Printed  by  Vail-Ballou  Co.     Cover,  title 
and  ends,  handmade  Toyogami  paper. 

Book,   Thirty-five  Sonnets;  6  x  8>^;  printed  and  exhibited  by       117 
Taylor  &  Taylor;  printed  for  California  Book  Club.     Cover, 
handmade  French  Ingres  paper;  text  (54  pages),  end  and  fly 
leaf,  handmade  Kelmscott  paper. 

Book,  Odes  and  Sonnets;  1)4  x  10;  printed  and  exhibited  by       118 
Taylor  &  Taylor;  printed  for  the  California  Book  Club.     Cover, 
Fabriano  Cover;  text  (36  pages),  end  and  fly  leaf,  handmade 
Kelmscott  paper. 

Book,  His  Royal  Highness,  The  Price  of  Wales*  Tour  of  Canada;  119 
10  X  13;  printed  for  Canadian  Pacific  Railroad  and  exhibited 
by  The  Gazette  Printing  Company.  Text  (284  pages), 
printed  in  one  color  on  handmade  Japanese  Vellum  paper  with 
photogravure  illustrations  and  half-tone  tip-on.  Handmade 
Japanese  tissue  paper  for  interleaves. 

Book,  Cronica  del  Famoso  Cavallero    Cid   Ruydiez   Catnpeador;       120 
8  x  12;    printed    and   exhibited   by   De  Vinne   Press.     Cover, 
Calfskin  Vellum;  text  (200  pages),  handmade  Fabriano  paper. 

Book,  Pictures  in  the  Collection  of  P.  A.  B.  Widener;  14  x  18;       124 
privately  printed;  printed  and  exhibited  by  H.  S.  Crocker  Co. 
Cover,  end  and  fly  leaf,  handmade  French  Marble  paper;  text 
(200  pages),  handmade  Arnold  unbleached  paper. 

Book,  A  Book  of  Shakespeare* s  Songs;   9>^  x  I2>^;   printed  for       128 
G.  Shirmer  &  Sons;  printed  and  exhibited  by  De  Vinne  Press. 
Cover,  Fabriano  Cover;  backbone,  handmade  Japanese  Vellum 
paper. 

Book,  Etchers  and  Etchings;  8>2  x  13;  printed  for  MacMillan       130 
Co.;   printed   and   exhibited   by  the   Norwood   Press.     Cover, 
handmade  Roma  paper;  text  (370  pages),  end  and  fly  leaf,  hand- 
made Italian  Venetia  paper. 


Page  26  Examples:  'Books 

134  Book,  Year  Book  of  the  Philadelphia  Sketch  Club;  5>^  x  8>^; 
designed  by  William  A.  Kittredge;  printed  and  exhibited  by  the 
Franklin  Printing  Company.  Printed  for  the  Sketch  Club  of 
Philadelphia.  Cover,  handmade  Omi-V  Japanese  paper, 
printed  in  black  and  gold. 

135  Book,  The  Will  and  the  Way;  5^  x  7>^;  printed  for  the  Metro- 
politan Trust  Company  by  Oswald  Press;  exhibited  by  William 
A.  Kittredge.  Cover,  handmade  French  Marble  paper;  back- 
bone and  corners,  handmade  Japanese  Vellum  paper;  text  (32 
pages),  end  and  fly,  handmade  San  Marco  paper. 

136  Book,  The  Allyn  Family;  y}i  x  10^;  exhibited  by  William  A. 
Kittredge;  printed  by  Oswald  Press.  Cover,  handmade  French 
Ingres  paper;  text  (24  pages),  handmade  Umbria  paper  with 
handmade  Japanese  Vellum  paper  inserts. 

139  Book,  Across  Catiada;  10  x  12;  printed  and  exhibited  by  the 
Gazette  Printing  Company;  printed  in  one  color.  Text  (32 
pages),  on  Fabriano  Cover  with  half-tone  tip-on. 

145  Book,  The  Sleepy  IIollozv  Country  Clnh;  j}4  x  lo;  privately 
printed;  printed  and  exhibited  by  T.  M.  Cleland.  Text  (26 
pages),  end  and  fly  leaf  on  handmade  Fabriano  paper. 

146  Book,  The  Queen  of  the  Belgians  Appeal  to  the  Women  of  America; 
9>^xi3>^;  exhibited  by  HarrieA.Bell;  printed  by  the  Curtis  Pub- 
lishing Company.    Text  (112  pages),  handmade  Fabriano  paper. 

151  Book,  The  Fiftieth  Anniversary  of  the  Royal  Bank  of  Canada; 
1]/2  X  loj^;  printed  and  exhibited  by  the  Ronalds  Press.  Cover, 
handmade  Ancona  paper.  Text  (154  pages),  end  and  fly  leaves, 
handmade  French  Arches  paper,  printed  in  one  color  with 
photogravure  illustrations  and  handmade  Japanese  Silk  Tissue 
for  interleaves. 

152  Book,  The  Fiftieth  Anniversary  of  the  Royal  Bank  of  Canada; 
8  X  io>^;  exhibited  and  printed  by  the  Ronalds  Press.  Cover, 
end  and  fly  leaf,  handmade  French  Marble  paper;  text,  hand- 
made French  paper;  154  pages  with  photogravure  illustrations. 

169  Book,  An  Attic  Philosopher  in  Paris;  \}4  x  7;  printed  and  exhib- 
ited by  R.  R.  Donnelley  &  Sons  Company;  printed  for  the  Caxton 
Club.  Text  (226  pages),  end  and  fly  leaf  handmade  Tuscany 
paper. 


Ex  AM  PL  KS  :   'Books  Page   27 

Book,  Of  Much  Love  and  Some  Knozvledge  of  Books;  ^}4  x  %}4;       ij'^ 
printed  and  exhibited  by  R.  R.  Donnelley  &  Sons  Company; 
printed  for  the  Caxton  Club.     Cover,  handmade  Momoyama 
paper;  backbone,  Sheepskin  Parchment;  text  (48  pages),  end 
and  fly  leaf,  handmade  Japanese  Vellum  paper. 

Book,  Daniel  Gookin;  6  x  io>^;  privately  printed;  printed  and       183 
exhibited  by  R.  R.  Donnelley  &  Sons  Company.     Cover,  Fab- 
riano  Cover. 

Book,  Diogenes  in  London;  6^4  x  10;  printed  and  exhibited  by       195 
Edwin    and     Robert    Grabhorn.     Cover,    handmade    Special 
Marble  paper;  text  (16  pages),  end  and  fly  leaf,  printed  on  hand- 
made Tuscany  paper. 

Book,  A  Defense  of  the  Dilettante;  9x12;  privately  printed  and       196 
exhibited  by  Edwin  and  Robert  Grabhorn.     Cover,  handmade 
French  Ingres  paper;  text  (24  pages),  end  and  fly  leaf  printed 
on  handmade  Etruria  paper. 

Book,  Washington's  Farewell  Address;  S}4  x  ii;  printed  and  ex-       198 
hibited    by    Houghton-Mifllin    Company.     Text    (30    pages), 
printed  on  handmade  Fabriano  paper. 

Book,  Paul  et  Virginie;  7K  x   ii;  printed  and  exhibited  by       200 
Houghton-Mifilin  Company.     Text  (160  pages),  end  and  fly 
leaf,  handmade  Arnold  unbleached  paper. 

Book,  The  Years  Between;  6}4  x  <)}4;  printed  and  exhibited  by       212 
the  University  of  Chicago  Press.     Cover,  Fabriano  Cover. 

Book,  Charcoals  of  New  and  Old  New  York;  8)4  x  lo>^;  printed       215 
and   exhibited   by  the   University  of  Chicago   Press.     Cover, 
Fabriano  Cover. 

Book,  The  Art  Work  of  L.  C.  Tiffany;  9K  x  12K;  printed  for       216 
L.  C.  Tiff"any;  printed  and  exhibited  by  Doubleday  Page  &  Co. 
Text  (90  pages),  printed  on  handmade  Japanese  Vellum  paper 
with  photogravure  illustrations. 

Book,   Mount    Vernon;  6}4  x    10;   printed   and   exhibited   by       218 
Doubleday  Page  &  Co.  Cover,  Fabriano  Cover. 

Book,  Song  of  Roland;  sJ4  x  8K;  printed  and  exhibited  by  the       226 
Yale  University  Press.     Cover,  handmade  Roma  paper. 


Page  2^  Examples:  'Books 

237  Book,  7"//!?  Near  East;  5J/2  x  7^;  printed  and  exhibited  by  the 
De  Vinne  Press;  printed  for  the  Century  Company.  Cover, 
handmade  Japanese  Vellum  paper;  text  (36  pages),  end  and  fly 
leaf,  handmade  Japanese  Vellum  paper. 

243  Book,  Trophies  of  Heredia;  4^  x  7^;  printed  and  exhibited  by 
the  University  Press;  printed  for  Small  Maynard  Company. 
Cover,  Fabriano  Cover. 

244  Book,  Our  Lady's  Tumbler;  4  x  5^;  printed  and  exhibited  by 
the  University  Press;  printed  for  Small  Maynard  Company. 
Cover,  Fabriano  Cover. 

251  Book,  Elegy;  Written  in  a  Country  Church  Yard;  4JE^  x  6;  printed 
and  exhibited  by  Prairie  Press.     Cover,  Fabriano  Cover. 

253  Book,  A  Dissertation  Upon  Roast  Pig;  4  x  6^^;  printed  and  ex- 
hibited by  Will  Bradley.     Cover,  Fabriano  Cover. 

"256     Book,  Frieyidship;  4}^  x  7^;  printed  and  exhibited  by  D.  B. 
Updike;  published  by  Alfred  Bartlett.     Cover,  Fabriano  Cover. 

257  Book,  A  Few  Words  on  Christmas;  5^  x  8^;  privately  printed 
for  T.  N.  Fairbanks;  printed  and  exhibited  by  Marchbanks 
Press.  Cover,  handmade  Momoyama  paper;  backbone,  Japan- 
ese Vellum  paper;  text  (16  pages),  end  and  fly  leaf,  handmade 
Mokuroku  paper. 

259  Book,  Omar  Repentant;  t^%  x  6^;  printed  and  exhibited  by  the 
Cheltenham  Press.  Printed  for  Mitchell  Kennerley.  Cover, 
Fabriano  Cover. 

260  Book,  The  Lost  Joy;  2^  x  5^;  printed  and  exhibited  by  Thomas 
B.  Mosher.     Cover,  handmade  French  Ingres  paper. 

265  Book,  Romeo  and  Juliette;  5^x7%";  printed  and  exhibited  by  the 
Monadnock  Press;  printed  for  Temple  Scott.  Cover,  Calfskin 
Vellum. 

266  Book,  Educated  Dogs  of  Today;  10  x  13;  printed  and  exhibited 
by  McGrath-Sherrill  Press.  Cover,  Fabriano  Cover;  text  (76 
pages),  handmade  French  Arches  paper  with  photogravure 
illustrations. 

267  Book,  Pauline  Agassiz  Shaw;  6  x  9^;  printed  and  exhibited  by 
McGrath-Sherrill  Press.  Cover,  handmade  French  Ingres 
paper;  text  (80  pages),  end  and  fly  leaf,  handmade  Arnold  un- 
bleached paper. 


Examples:  "Books  Page  ig 

Book,  Fine  Prmthig  and  Mr.  Bruce  Rogers;  6x9;  printed  and       268 
exhibited  by  Carl  P.  Rollins,  printed  for  The  Carteret  Book 
Club.     Cover,  handmade  Florentine  paper. 

Book,  A  Vase  from  Omar's  Land;  ll  x  15;  designed  by  Edward       272 
Edwards  for  Parish-Watson  Company;  printed  and  exhibited 
by  Norman  T.  A.  Munder  &  Company.     Cover,   handmade 
Fabriano  paper;  text  (24  pages),  end  and  fly  leaf,  handmade  San 
Marco  paper. 

Book,  The  Samos  Aphrodite;  14  x  22;  designed  by  Edward  Ed-       273 
wards  for  Parish-Watson  Company;  printed  and  exhibited  by 
Norman  T.  A.  Munder  &  Company.     Text  (30  pages),  end  and 
fly  leaf,  handmade  San  Marco  paper  with  photogravure  illustra- 
tions; handmade  Japanese  Tissue  paper  interleaves. 

Book,  Garden  Book;  9^  x  12;  printed  for  John  D.  Rockefeller.       275 
Cover,  handmade  Roma  paper;   end   and  fly   leaf,   handmade 
Shadow  paper. 

Book,  William  Byrd,  Esq.;  7  x  10%;  designed  by  Bruce  Rogers       276 
for  Thomas  F.  Ryan;  printed  and  exhibited  by  Norman  T.  A. 
Munder  &  Company.     Text  (68  pages),  end  and  fly  leaf,  hand- 
made Etruria  paper,  photogravure  illustrations. 

Book,  Old  Masters'  Drawings;  15  x  20;  printed  and  exhibited       277 
by  Norman  T.  A.  Munder  &  Company.     Cover,  handmade 
French  Marble  paper;  text  (192  pages),  end  and  fly  leaf,  hand- 
made Arnold  unbleached  paper. 

Book,  Mergenthaler  Linotype  Company;  g^  x  12)4',  printed  and       338 
exhibited  by  Bartlett-Orr  Press.     Cover,  handmade  Florentine 
paper,  embossed  in  gold. 

Book,  Henry  J.  Heintz;  7  x  10;  designed  by  0.  W.  Jaquish  Jr.;       345 
prmted  and  exhibited  by  Bartlett-Orr  Press.     Cover,  handmade 
Ancona  paper  stamped  in  black  and  gold. 

Book,  A  Bank  Built  on  the  Nation's  Commerce;  9  x  12;  printed  and       360 
exhibited  by  William  E.  Rudge;  printed  for  National  Park  Bank. 
Cover  printed  on  handmade  French   Ingres  paper,  Japanese 
fold,  in  two  colors. 

Book,  Packard  Twin-Six;  9  x  12;  for  the  Packard  Company;       456 
printed  and  exhibited  by  Corday  &  Gross.     Cover,  handmade 
Roma  paper. 


Page -^o  Examples:  '^ooks 

516  Book,  The  Fourth  Anniversary  of  Great  Britain  s  Entry  Into  the 
War;  6x9;  printed  and  exhibited  by  William  E.  Rudge.  Cover, 
handmade  French  Ingres  paper,  Japanese  fold, 

520  Book,  Impressions;  \^  x  63^;  designed  by  0.  W.  Jaquish  Jr.; 
printed  and  exhibited  by  Bartlett-Orr  Press.  Cover,  handmade 
Japanese  Vellum  paper  embossed  in  black  and  gold;  text  (16 
pages),  handmade  Fabriano  paper. 

559  Book,  The  General  Chemical  Company;  4^  x  7^;  printed  and 
exhibited  by  Rogers  &  Company;  printed  for  General  Chemical 
Company.  Cover,  handmade  Japanese  Vellum  paper;  back- 
bone, handmade  Japanese  Omi-V  paper;  text  (16  pages),  hand- 
made San  Marco  paper. 

565  Book,  A  Six  Months  Advertising  Campaign;  10  x  13;  printed  and 
exhibited  by  Alfred  B.  Kennedy.  Cover,  end,  fly  leaf  and 
label,  handmade  Fabriano  paper.     Cover  printed  in  two  colors. 

572  Book,  An  Early  Literary  Club;  4}^  x  7;  printed  and  exhibited 
by  R.  R.  Donnelley  &  Sons  Company.  Cover,  Fabriano  Cover. 
Printed  in  one  color. 

574  Book,  The  Wayfarers  Club;  z,}4  x%\  Japanese  fold;  printed  and 
exhibited  by  R.  R.  Donnelley  &  Sons  Co.  for  the  Wayfarer's 
Club.     Printed  on  handmade  Roma  paper  in  two  colors. 

588  Book,  Mor-Lite;  6x9;  designed  by  Charles  W.  Simpson; 
printed  and  exhibited  by  the  Gazette  Printing  Company. 
Cover,  Fabriano  Cover  with  half-tone  tip-on. 

597  Book,  Concert  by  the  Aeolian  Company.,  $}^  x  ^/4;  printed  for  the 
Aeolian  Company;  printed  and  exhibited  by  Redfield-Kendrick- 
Odell  Company.  Cover,  handmade  Japanese  Vellum  paper; 
text  (16  pages),  end  and  fly  leaf,  handmade  Tuscany  paper. 

598  Book,  An  Open  Letter;  5>^  x  9;  printed  and  exhibited  by  Red- 
field-Kendrick-Odell  Company.  Cover,  handmade  French 
Ingres  paper;  text  (24  pages),  printed  in  one  color  on  handmade 
Fabriano  paper. 

606  Book,  Life;  3x4;  printed  and  exhibited  by  Redfield-Kendrick- 
Odell  Company.  Cover,  Fabriano  Cover  paper  with  handmade 
Japanese  Vellum  paper  tip-on. 


Examples:  'Books  Page  si 

Book,  What  Are  You  Going  To  Do  With  Your  Boy?;  8  x  12;       641 
printed  and  exhibited  by  the  Thomson  Company.     Printed  for 
Camp  Dudley  Association  on  handmade  Tokugawa  paper,  fly 
leaf,  handmade  soft  Japan  paper,  in  three  colors. 

Book,  Amiouncement;  5^  x  8;  printed  for  and  exhibited  by  O.W.       646 
Jaquish  Jr.      Printed  by  the  Buckeye  Press.     Normandy  Vellum 
paper  with  four  page  handmade  Umbria  paper  insert. 

Book,  The  Sower;  6^  x  9^2;  printed  and  exhibited  by  R.  C.       647 
Dyer  &  Co.;  printed  for  the  S.  W.  Advertising  Company.    Text 
(four-page  Japanese  fold),  end  and  fly  leaf  on  handmade  Japan- 
ese Vellum  paper. 

Book,  Japanese  Vellum;  6  x  8^;  exhibited  by  Japan  Paper  Com-      649 
pany.     Printed    for  Japan    Paper   Company,   by  William  E. 
Rudge,  on  handmade  Japanese  Vellum  paper. 

Book,  Gifu,  Totomi  and  Kochi;  6  x  8>^;  exhibited  by  Japan  Paper       650 
Company.     Printed  for  Japan  Paper  Company  by  William  E. 
Rudge  on  various  handmade  soft  Japan  papers. 

Book,  Michelet  Handmade  Covers;  6%  x  9;  designed  and  printed       651 
for  Japan  Paper  Company  by  Mackay  Press;  exhibited  by  Japan 
Paper  Company.     Printed  on  handmade  Michelet  paper. 

Book,  French  Ingres  Paper;  6  x  gj4;  printed  for  Japan  Paper      652 
Company;  printed  and  exhibited  by  Marchbanks  Press.     Cover 
and  8-page  insert,  handmade  French  paper. 

Book,  Country  Club  Estates;  6)4  x  9;  printed  and  exhibited  by       670 
Matthews-Northrup  Works.      Cover,  handmade  Roma   paper 
Japanese  fold,  embossed  in  two  colors. 

Book,  The  Management  of  Public  Service;  5J^  x  8;  printed  and       672 
exhibited  by  the  Matthews-Northrup  Works.    Cover,  handmade 
Florentine  paper,  Japanese  fold,  printed  in  one  color. 

Book,  Modern  Development  in  the  Sugar  Industry;  Japanese  fold;       674 
5J4  X  7^;  printed  and  exhibited  by  Matthews-Northrup  Works. 
Printed  on  handmade  Italian  paper  in  one  color. 

Book,  Special  Locomobile;  6^4  x  8^;  printed  for  the  Loco-     696A 
mobile  Company;  printed   and  exhibited  by  T.  M.  Cleland. 
Cover,  handmade  Lombardia  paper;  text,  handmade  Fabriano 
paper;  printed  in  black  with  half-tone  tip-on. 


Page -^2  Examples:  "Booklets 

725  Bookj^w  Epoch  in  Railroad  Electrification;  8^x  1 1 ;  Japanese  fold; 
printed  for  the  General  Electric  Company;  printed  and  exhibited 
by  the  Maqua  Company.  Cover,  handmade  Florentine  paper, 
embossed  in  gold. 

Book,  The  Love  and  Loot  of  Women;  7  x  10;  Cover,  handmade 
Roma  paper;  text  (300  pages),  printed  on  handmade  San  Marco 
paper;  handmade  Japanese  Vellum  inserts;  end  and  fly  leaf, 
Japanese  tissue  paper. 

Book,  William  Loring  Andrews;  yy^  x  j\.}4;  published  and  ex- 
hibited by  Charles  Scribner's  Sons.  Text  (120  pages),  hand- 
made Japanese  Vellum  paper  with  illustrations. 

Book,  The  Ninety-first  Psalm;  3>2  x  5>^;  text  (24  pages),  printed 
on  handmade  soft  Japan  paper. 

BOOKLETS 

*55A  Booklet,  The  Work  of  the  Merrymotint  Press;  8x11;  printed  for 
and  exhibited  by  D.  B.  Updike.  Cover,  handmade  Roma 
paper;  text  (36  pages),  handmade  French  paper. 

319  Booklet,  The  Rieter  Laboratories;  ^yi  x  8>^;  printed  and  exhib- 
ited by  Taylor  &  Taylor;  printed  for  the  Rieter  Laboratories. 
Cover,  Fabriano  Cover;  text  and  fly  leaves,  handmade  Kelm- 
scott  paper. 

429  Booklet,  Rochester;  6x9;  for  Eastman  Kodak  Company;  printed 
and  exhibited  by  Matthews-Northrup  Works.  Text  (24  pages), 
handmade  Florentine  paper;  Japanese  fold,  with  half-tone 
tip-on. 

513  Booklet,  Outdoors;  9  x  12}4;  printed  for  Heathcote  Nurseries; 
printed  and  exhibited  by  William  E.  Rudge.  Cover,  Japanese 
fold,  handmade  English  paper. 

515  Booklet,  Official  Catalogue  British  Government  Exhibition;  7  x 
io}i;  printed  for  the  British  Government;  printed  and  exhibited 
by  William  E.  Rudge.  Cover,  handmade  Fabriano  paper,  Jap- 
anese fold. 

517  Booklet,  The  President  As  I  Know  Him;  ^}4  x  8;  printed  pri- 
vately; printed  and  exhibited  by  William  E.  Rudge.  Cover, 
handmade  Toyogami  paper,  Japanese  fold,  printed  in  one  color. 


Examples:  'Booklets  Page  33 

Booklet,  Modern  Methods  for  Modern  Merchants;  6>^  x  9^^;       545 
printed  and  exhibited  by  the  KalkhofF  Company.    Cover,  hand- 
made Teshio  paper;  end  and  fly  leaf,  Fabriano  Cover;  text  (8 
pages),  handmade  Etruria  paper,  printed  in  two  colors. 

Booklet,  Coolkenny;  printed  and  exhibited  by  the  Holmes  Press.       553 
Text  (32  pages),  printed  in  two  colors  on  handmade  Fabriano 
paper. 

Booklet,  Tide  Water  Topics,  Vol.  2,  No.  2;  7%  x  9K ;  printed  for       584 
and  exhibited  by  the  Tide  Water  Oil  Company.     Cover  printed 
in  two  colors  on  Brittany  paper. 

Booklet,  Tide  Water  Topics,  Vol.  2,  No.  5;  7  x  9><;  printed  for       585 
and  exhibited  by  the  Tide  Water  Oil  Company.     Cover,  hand- 
made XIII  Century  paper,  printed  in  two  colors. 

Booklet,  Harrison  E.  Gazvtry;  16  pages,  limp  cover,  6}4  x  Sj4;       601 
printed   and   exhibited  by   Redfield-Kendrick-Odell   Company. 
Cover,   Brittany  paper;  text  (16  pages),  handmade    Fabriano 
paper;  fly  leaves,  handmade  Nettunia  paper. 

Booklet,  Map  Making;  3>^  x  5;  printed  and  exhibited  by  Red-       607 
field-Kendrick-Odell    Company.     Cover,    handmade    Fabriano 
paper. 

Booklet,  Pomander  Walk;  6  x  10;  printed  and  exhibited  by  Carl       614 
J.  H.  Anderson.     Cover,  Fabriano  Cover,  printed  in  two  colors; 
text  (8  pages),  handmade  Tuscany  paper  in  two  colors. 

Booklet,   Your  Boy;  8>^  x  11;  printed  and  exhibited  by  the       642 
Thomson  Company.     Printed  for  Camp  Dudley  Association 
on  handmade  Momoyama  paper;  Japanese  fold,  in  two  colors. 

Booklet,  J  Sturdy  American  Boyhood;  6x9;  printed  and  exhib-       645 
ited  by  the  Thomson  Company.   Printed  on  handmade  Japanese 
Wood  Veneer  cover  in  two  colors. 

Booklet,  Awaji;  6x8;  printed  for  and  exhibited  by  Japan  Paper      653 
Company;  printed  by  Marchbanks  Press  on  handmade  Awaji 
paper. 

Booklet,  The  Price  of  Cash;  2^  x  4|<4 ;  printed  for  Japan  Paper       654 
Company  by  Marchbanks  Press;  exhibited  by  Japan  Paper  Com- 
pany.    Cover,   handmade  Japanese  Vellum   paper;   text   (20 
pages),  handmade  Shogun  paper. 


Page  24  EXAMPLES:  'booklets 

660  Booklet,  John  Macfarlane  Howie;  51^  x  9;  printed  and  ex- 
hibited by  Langdon  B.  Clark.  Printed  on  handmade  Omi-V 
Japanese  paper,  Japanese  fold;  Cover,  and  four-page  text,  with 
half-tone  tip-on. 

''705     Booklet,  Announcement;  3x4;  printed  and  exhibited  by  Oswald 
Press.     Cover,  handmade  Tokugawa  paper,  Japanese  fold. 

706  Booklet,  Western  Reserve  University;  24  pages,  8^  x  11^; 
printed  for  the  Western  Reserve  University;  printed  and  exhib- 
ited by  Horace  Carr.  Cover,  handmade  Florentine  paper; 
text,  handmade  French  Arches  paper. 

722  Booklet,  Home  Portraiture;  6}i  x  10;  printed  and  exhibited  by 
the  Du  Bois  Press.  Cover,  Fabriano  Cover,  Japanese  fold; 
fly  leaf,  handmade  soft  Japan  paper. 

726  Booklet,  Camp  Edison;  Japanese  fold;  8>^  x  li;  printed  for  the 
General  Electric  Company;  printed  and  exhibited  by  the  Maqua 
Company.  Cover,  handmade  Momoyama  paper,  printed  in 
two  colors;  text  (eight  pages),  handmade  Japanese  Vellum 
paper,  printed  in  two  colors  with  half-tone  tip-on. 

728  Booklet,  Commercial  Use  for  Searchlights;  Japanese  fold,  8x11; 
printed  for  General  Electric  Company;  printed  and  exhibited 
by  the  Maqua  Company.  Cover,  handmade  Roma  paper, 
blank  embossed  with  half-tone  tip-on. 

729  Booklet,  The  Totem;  16  pages  and  cover,  5^^  x  9;  printed  for 
General  Electric  Company.  Printed  and  exhibited  by  the 
Maqua  Company  on  handmade  Fabriano  paper. 

733  Booklet,  Concrete  Through  the  Ages;  ii  x  i^yi;  exhibited  by 
Joseph  Richards  Company;  printed  for  Atlas  Portland  Cement 
Company  by  Robert  L.  Stillson  Company.  Cover,  handmade 
Momoyama  paper;  text  (28  pages),  and  end  papers,  handmade 
Roma  paper  with  half-tone  tip-on. 

757  Booklet,  Toyogami  Papers;  16  pages,  $}i  x  7}^;  printed  and  ex- 
hibited by  Marchbanks  Press.  Printed  for  Japan  Paper  Com- 
pany on  handmade  Toyogami  paper. 

840  Booklet,  Reception  and  Supper;  4^  x  8;  printed  and  exhibited 
by  William  E.  Rudge.  Cover,  handmade  Kiang-Nan  Chinese 
paper;  text,  handmade  soft  Japan  paper,  Japanese  fold,  printed 
in  two  colors. 


ExAjViples:  (Catalogues  Page -^i, 

Booklet,  The  Printing  Press;  sH  x  8^;  printed  and  exhibited       914 
by  Edwin  and  Robert  Grabhorn.     Printed  on  handmade  Lom- 
bardia  paper  in  one  color. 

Booklet,  Vellum  Price  List;  7x11;  printed  and  exhibited  by 
William  E.  Rudge.  Printed  for  Japan  Paper  Company  in  two 
colors  on  handmade  Japanese  Vellum  paper. 

Booklet,  Chicago  Short  Horn  Cattle  Club;  6}i  x  8^;  Japanese  fold, 
printed  for  the  Chicago  Short  Horn  Cattle  Club;  printed  and  ex- 
hibited by  R.  R.  Donnelley  &  Sons  Co.  on  handmade  Roma  paper. 

Booklet,  Letters;  10  x  13;  printed  for  Teachers  College;  printed 
and  exhibited  by  William  E.  Rudge.  Cover,  special  hand- 
made Omi-V  Japanese  paper;  text,  handmade  Korean  paper, 
Japanese  fold. 

Booklet,  The  Song  of  Solomon;  10^  x  15;  text  (12  pages),  end 
and  fly  leaf,  special  handmade  paper. 

CATALOGUES 

Catalogue,  Charles  Scribners  Sons;  6x9;  designed  and  printed       310 
by  the  Gillis  Press;  exhibited  by  Charles  Scribner's  Sons.    Cover, 
handmade  Fabriano  paper. 

Catalogue,  E  y  fF;  7  x  10;  printed  and  exhibited  by  William  E.       362 
Rudge.     Printed  for  Earl  &  Wilson  Company.     Cover,  hand- 
made Lombardia  paper,  embossed  in  brown. 

Catalogue,  J  Worthy  Company  of  Watch  Makers;  5x8;  printed       363 
and  exhibited  for  Gruen  Watch  Company.     Cover,  handmade 
Florentine  paper  in  two  colors. 

Catalogue,  Clark  Axles;  7  x  10;  printed  and  exhibited  by  James       402 
H.  Rook.     Cover,  handmade  Lombardia  paper,  embossed  in 
three  colors;  fly  leaf,  handmade  Momoyama  paper. 

Catalogue,  Zow^ariizij;  5^x8;  printed  for  Japan  Paper  Company       449 
by  Norman  T.  A.  Munder  &  Company.  Printed  on  handmade 
Lombardia  paper. 

Catalogue,  Hoggson  Brothers;  7  x  10;  printed  and  exhibited  by       715 
Norman  T.  A.  Munder  &  Company;  printed  for  Hoggson  Broth- 
ers,    Cover  printed  in  one  color  on  Brittany  paper. 


Page -iS  Examples:  Folders 


FOLDERS 

524  Folder,  The  Nezv  Locomobile  Service  mid  Sales  Building;  4  pages, 
Japanese  fold,  3  x  4^;  designed  by  O.  W.  Jaquish  Jr.;  printed 
and  exhibited  by  Bartlett-Orr  Press.  Printed  on  handmade 
Japanese  Vellum  paper  in  two  colors  and  gold. 

555B  Folder,  Our  Customers;  4  pages,  6^  x  9;  designed  by  Harrie  A. 
Bell.  Printed  and  exhibited  by  the  Holmes  Press.  Handmade 
Spanish  paper,  printed  in  two  colors. 

711  Folder  and  cover,  Vanderhilt  Hotel;  8  pages,  4  x  6}"^;  designed  by 
Edward  Edwards;  printed  and  exhibited  by  Norman  T.  A. 
Munder  &  Company.  Printed  in  two  colors  with  half-tone 
tip-on  on  Normandy  Vellum  paper. 

750  Folder,  Two-Forty-Six  Fifth  Avenue;  4  pages,  6^  x  9^;  printed 
and  exhibited  by  Marchbanks  Press.  Printed  on  handmade 
Fabriano  paper  in  two  colors. 

754  Folder,  Lakewood  Rugs;  4  pages,  9x12;  printed  and  exhibited  by 
Marchbanks  Press.  Printed  for  A.  M.  Karogheushan  on  hand- 
made Etruria  paper  in  two  colors. 

755  Folder,  Scranion  Lace  Company;  4  pages,  7^  x  10^;  printed 
and  exhibited  by  Marchbanks  Press.  Printed  for  Scranton 
Lace  Company  on  handmade  San  Marco  paper  in  two  colors. 

760  Folder,  F.  W.  Goudy;  4  pages,  9  x  13;  designed  by  and  printed 
for  F.  W.  Goudy;  printed  and  exhibited  by  Marchbanks  Press. 
Printed  on  handmade  Tuscany  paper  in  two  colors. 

763  Folder,  Cobbling;  4  pages,  2>^  x  3>^;  designed  by  Charles  For- 
bell;  printed  and  exhibited  by  Marchbanks  Press.  Printed 
for  Melville  Shoe  Corporation  in  two  colors  on  handmade  Lom- 
bardia  paper. 

764  Folder,  Cobbling;  4  pages,  4}4  x  5;  printed  and  exhibited  by 
Marchbanks  Press.  Printed  for  Melville  Shoe  Corporation  on 
handmade  Shadow  paper  in  two  colors. 

765  Folder,  Educational  Work  of  the  American  Institute  of  Graphic 
Arts;  4  pages,  8  x  12;  designed  by  F.  W.  Goudy  for  American 
Institute  of  Graphic  Arts;  exhibited  and  printed  by  Marchbanks 
Press  on  handmade  English  paper  in  two  colors. 


Examples:  Folders  Page 'ij 

Folder,  Institute  de  France;  12  pages,  11  x  14;  printed  and  ex-       768 
hibited  by  Marchbanks  Press.     Printed  on  handmade  Japanese 
Vellum  paper  in  two  colors. 

Folder,  The  Undersigtied,  8  pages,  1 1  x  15;  printed  and  exhibited       769 
by  Marchbanks  Press.     Printed  on  handmade  Japanese  Vel- 
lum paper  in  one  color. 

Folder,  The  Rarely  of  Fine  Printing;  4  pages,  ^}4  x  6'^;  printed       770 
and  exhibited  by  Marchbanks  Press.     Printed  on  handmade 
Japanese  Vellum  paper  in  two  colors. 

Folder,  The  National  Institute  of  Arts  and  Letters;  12  pages,  7x9;       772 
printed  and  exhibited  by  Marchbanks  Press.     Printed  on  hand- 
made Japanese  Vellum  paper  in  two  colors. 

Folder,    To  the  Provisional  Government;  8   pages,   iZ^i  x   17;       773 
printed    and    exhibited    by    Marchbanks    Press.     Printed    for 
Czecho-Slovac   Government   on    handmade   Japanese    Vellum 
paper  in  one  color. 

Folder,  Hotel  Gotham;  Japanese  fold,  3^x6;  printed  and  exhib-       777 
ited    by   Marchbanks   Press.     Printed   for   Hotel   Gotham   on 
Fabriano  Cover  in  two  colors  with  half-tone  tip-on. 

Folder,  Greetings;  4  pages  Japanese  fold,  6  x  ^%;  printed  and       778 
exhibited  by  Matthews-Northrup  Works.     Printed  on  hand- 
made Tokugawa  paper  in  four  colors. 

Folder,  H.  E.  Plurner;  4  pages,  Japanese  fold,  8  x  10;  printed  and       779 
exhibited  by  Matthews-Northrup  Works.     Printed  for  H.  E. 
Plumer  in  two  colors  on  handmade  Tuscany  paper. 

Folder,  Employer  and  Labor-Saving  Device;  7%"  x  iiX;  printed       781 
and  exhibited  by  Matthews-Northrup  Works  on  Fabriano  Cover 
paper  in  two  colors. 

Folder,  Third  Get-Together  Dinner;  4  pages,  6x9;  printed  and       795 
exhibited  by  Matthews-Northrup  Works.     Printed  on  hand- 
made Japanese  Vellum  paper  in  three  colors. 

Folder,  A  Touch;  4  pages,  Japanese  fold  3x5;  designed  by  Irving       800 
K.  Annable  for  Berkeley  Press;  exhibited  by  Berkeley  Press. 
Printed  on  handmade  soft  Japan  paper  in  two  colors. 

Folder,  At  the  Stevenson  Fountain;  4  pages,  8>2  x  12;  designed       805 
by  F.  W.  Goudy;  printed  and  exhibited  by  Taylor  &  Taylor. 
Printed  on  handmade  Kelmscott  paper  in  black  and  gold. 


Pagg  3S  Examples:  Folders 

806  Folder,  To  Honor  Raphael  Weil;  4  pages,  8J^  x  1 1^;  printed  and 
exhibited  by  Taylor  &  Taylor.  Printed  on  handmade  Kelm- 
scott  paper  in  one  color. 

808  Folder,  California  Book  Club;  4  pages,  8^  x  iiM;  printed  and 
exhibited  by  Taylor  &  Taylor.  Printed  for  California  Book 
Club  on  handmade  Kelmscott  paper  in  one  color. 

824  Folder,  A^ezv  Address;  4  pages,  4^  x  6;  designed  and  exhibited  by 
W.  Parke  Johnson.  Printed  by  Marchbanks  Press  on  handmade 
San  Marco  paper  in  one  color. 

827  Folder,  Fete  de  Mai;  4  pages,  jy^  x  10;  printed  and  exhibited  by 
T.  M.  Cleland.     Printed  on  handmade  Italian  paper. 

828  Folder,  George  Copeland;  4  pages,  5x8;  printed  and  exhibited 
by  T.  M.  Cleland.  Printed  on  handmade  Kelmscott  paper  in 
two  colors. 

830  Folder,  Bush  Advertising  Service;  4  pages,  Japanese  fold,  5  x  J}4\ 
printed  and  exhibited  by  T.  M.  Cleland.  Printed  for  Bush 
Advertising  Service  on  handmade  Kelmscott  paper  in  two  colors. 

83 1  Folder,  Barracas;  4  pages;  printed  and  exhibited  by  T.  M.  Cleland. 
Printed  for  Japan  Paper  Company  on  handmade  Spanish  paper. 

839  Folder,  Price  List  of  Imported  Papers;  4  pages,  5>^  x  8>^; 
printed  and  exhibited  by  William  E.  Rudge.  Printed  for  Japan 
Paper  Company  on  Normandy  Vellum  paper,  one  color. 

842  Folder,  Say  It  Quickly;  4  pages,  3>^  x  5;  printed  and  exhibited 
by  William  E.  Rudge.  Printed  for  Japan  Paper  Company  on 
handmade  Sugiyama  paper  in  one  color. 

844  Folder,  Printed  Matter;  4  pages,  2J4  x  3>^;  exhibited  by  William 
E.  Rudge.  Printed  for  Japan  Paper  Company  on  handmade 
Florentine  paper  in  one  color. 

844A  Folder,  In  Korea;  4  pages,  Japanese  fold;  printed  and  exhibited 
by  William  E.  Rudge.  Printed  for  Japan  Paper  Company  on 
handmade  Korean  paper  in  two  colors. 

841;  Folder,  Thirty-Fourth  Annual  Dinner;  8  pages,  Japanese  fold, 
^}4  X  6%;  printed  and  exhibited  by  William  E.  Rudge.  Cover, 
handmade  Lombardia  paper;  text,  handmade  Spanish  paper. 


Examples:  Folders  P^g^  39 

Folder,  Japan  Society  Dinner  Menu;  4  pages,  Japanese  fold,       847 
5J4  X  7>^;  printed  and  exhibited  by  William  E.  Rudge.     Printed 
for  The  Japan  Society  on  handmade  Mokuroku  paper  in  three 
colors. 

Folder,  San  Marco;  4  pages,  jj-^  x  1 1 ;  designed  by  Rosa  Brothers       849 
for  Japan  Paper  Company;  exhibited  by  Japan  Paper  Company. 
Printed  by  Rogers  &  Company  on  handmade  San  Marco  paper 
in  two  colors. 

Folder,  Taragona  Handmade  Paper;  4  pages,  7  x  10;  designed  by       850 
Walter  Gilliss  for  Japan  Paper  Company;  exhibited  by  Japan 
Paper  Company.     Printed  on  handmade  Spanish  paper  in  two 
colors. 

Folder,  French  Handmade  Paper;  4  pages,  7^  x  10;  designed  by       851 
W.  D.  Teague;  printed  for  Japan  Paper  Company  by  Bartlett- 
Orr  Press;  exhibited  by  Japan  Paper  Company.     Printed  on 
handmade  French  paper  in  two  colors. 

Folder,  A  New  England  Office;  4  pages,  10  x  13;  printed  for  and       852 
exhibited  by  Japan  Paper  Company.     Printed  by  Stetson  Press 
on  Brittany  paper  in  two  colors. 

Folder,  Chinese  Handmade  Paper  Making;  4  pages,  Japanese       853 
fold,  3   x  6}i;   printed   and  exhibited  by  William  E.  Rudge. 
Printed   for   Japan    Paper    Company   on    handmade    Chinese 
Haikwan  paper  in  two  colors. 

Folder,  Handmade  Paper;  4  pages,  9^  x  12^;  printed  and  ex-       854 
hibited  by  William  E.  Rudge.     Printed  for  Japan  Paper  Com- 
pany on  handmade  Japanese  Vellum  paper,  in  one  color. 

Folder,  English  Handmade  Paper;  4  pages,  Japanese  fold,  5  x  7>^;       855 
printed  and  exhibited  by  William  E.  Rudge.     Printed  for  Japan 
Paper  Company  on  handmade  Kelmscott  paper  in  two  colors. 

Folder,  Italian  Handmade  Paper;  4  pages,  9^/2  x  13;  printed  and       856 
exhibited  by  William  E.  Rudge.     Printed  for  Japan  Paper  Com- 
pany on  handmade  Fabriano  paper  19  x  26,  in  two  colors. 

Folder,  Spanish  Handmade  Paper;  4  pages,  Japanese  fold,  4^^  x       857 
7;  printed  and  exhibited  by  Japan  Paper  Company.     Printed  by 
the  Tabard  Press  on  handmade  Spanish  paper  in  two  colors. 


Page  40  Examples:  Folders 

858  Folder,  Alcora;  4  pages,  6^  x  <)%;  designed  by  T.  B.  Hapgood 
for  Japan  Paper  Company;  printed  and  exhibited  by  William  E. 
Rudge.     Printed  on  handmade  Spanish  paper  in  two  colors. 

859  Folder,  Tuscany;  4  pages,  8  x  lo;  designed  by  Walt  Harris  for 
Japan  Paper  Company;  exhibited  by  Japan  Paper  Company 
Printed  by  McGrath-Sherrill  Press  on  handmade  Tuscany  paper 
in  two  colors. 

860  Folder,  Valencia;  4  pages,  y}i  x  10^;  designed  by  Rosa  Broth- 
ers for  Japan  Paper  Company;  exhibited  by  Japan  Paper  Com- 
pany. Printed  by  Marchbanks  Press  on  handmade  Spanish 
paper  in  one  color. 

861  Folder,  Umhria;  4  pages,  7^  x  10;  designed  by  Bruce  Rogers; 
printed  for  Japan  Paper  Company;  exhibited  by  Japan  Paper 
Company.     Printed  on  handmade  Umbria  paper. 

862  Folder,  Barracas  Handmade  Paper;  4  pages,  6)4  x  9}i;  designed 
by  T.  M.  Cleland  for  Japan  Paper  Company;  exhibited  by  Japan 
Paper  Company.  Printed  by  T.  M.  Cleland  on  handmade 
Spanish  paper  in  two  colors. 

863  Folder,  Japanese  Handmade  Paper  Making;  4  pages,  Japanese 
fold,  5^  X  73/^;  designed  and  printed  by  Marchbanks  Press  for 
Japan  Paper  Company;  exhibited  by  Japan  Paper  Company. 
Printed  on  handmade  Japanese  Vellum  paper  in  two  colors. 

864  Folder,  Arches  Handmade  Paper;  4  pages,  9^^  x  12^;  designed 
by  Everett  R.  Currier  for  Japan  Paper  Company;  exhibited  by 
Japan  Paper  Company  Printed  by  Norman  T.  A.  Munder  & 
Company  on  handmade  French  paper  in  two  colors. 

865  Folder,  Arches  Handmade  Paper;  4  pages,  9^  x  12^^;  designed 
by  Harvey  H.  Dunn  for  Japan  Paper  Company;  exhibited  by 
Japan  Paper  Company.  Printed  by  Tri-Arts  Press  on  hand- 
made French  paper  in  one  color. 

866  Folder,  Eynsford;  4  pages,  9J^  x  12;  designed  by  Percy  Grassby; 
printed  for  the  Japan  Paper  Company  by  the  Montague  Press; 
exhibited  by  Japan  Paper  Company.  Printed  on  handmade 
Arnold  paper  in  two  colors. 

867  Folder,  Furniture  Sales;  4  pages,  33^  x  5;  designed  by  Jay 
Chambers  for  Japan  Paper  Company;  exhibited  by  Japan  Paper 
Company.  Printed  by  Marchbanks  Press  on  handmade  Wood 
Veneer  paper  in  two  colors. 


Examples:  Folders  Page  41 

Folder,  Incudine  Paper;  4  pages,  9x11;  designed  by  Rene  Clark       868 
for  Japan  Paper  Company;  exhibited  by  Japan  Paper  Company. 
Printed  by  Typographic  Service  Company  on  handmade  Incu- 
dine paper  in  two  colors. 

Folder,  Shoguii  Paper;  4  pages,  8^  x  1 1 ;  designed  by  John  Henry       869 
Nash  for  Japan  Paper  Company;  exhibited  by  Japan  Paper  Com- 
pany.    Printed  by  John  Henry  Nash  on  handmade  Shogun 
paper  in  two  colors. 

Folder,  Etruria;  4  pages,  ()%  x  I2>^;  designed  by  Benjamin       870 
Sherbow;  printed  for  Japan  Paper  Company  by  Marchbanks 
Press;  exhibited  by  Japan  Paper  Company.     Printed  on  hand- 
made Etruria  paper  in  one  color. 

Folder,  French  Handmade  Paper;  4  pages,  9^  x  12;  designed  by       871 
the  Merrymount  Press  for  Japan  Paper  Company;  exhibited  by 
Japan   Paper  Company.     Printed   by  the  Merrymount  Press 
on  handmade  French  paper  in  one  color. 

Folder,  French  Handmade  Paper;  4  pages,  Japanese  fold,  5  x  ^%;     871 A 
designed  by  D.  B.  Updike  for  Japan  Paper  Company;  exhibited 
by  Japan  Paper  Company.     Printed  by  D.  B.  Updike  on  hand- 
made French  paper  in  two  colors. 

Folder,  Italian  Handmade  Paper;  4  pages,  9  x  iiK^;  designed  by       872 
W.  D.  Teague  for  Japan  Paper  Company;  exhibited  by  Japan 
Paper  Company.     Printed  by  Edward  Stern  &  Company  on 
handmade  Fabriano  paper  in  two  colors. 

Folder,  Italiayi  Handmade  Paper;  4  pages,  Japanese  fold,  5x8;       873 
designed  by  F.  W.  Goudy  for  Japan  Paper  Company;  exhibited 
by  Japan  Paper  Company.     Printed  by  Norman  T.  A.  Munder 
&  Company  on  handmade  XHI  Century  paper  in  two  colors. 
Folder,  Italian  Handmade  Paper;  4  pages,  9  x  13;  designed  by       874 
W.  A.  Dwiggins  for  Japan  Paper  Company;  exhibited  by  Japan 
Paper  Company.     Printed  by  Stetson  Press  on  handmade  Fab- 
riano paper  in  two  colors. 

Folder,  Italian  Handmade  Paper;  4  pages,  8^  x  11;  designed  by       875 
De  Vinne  Press  for  Japan  Paper  Company;  exhibited  by  Japan 
Paper  Company.     Printed  by  De  Vinne  Press  on  handmade 
Italian  paper  in  two  colors. 

Folder,  England's  First  Printer;  4  pages,  3^  x  6;  printed  and       876 
exhibited  by  William  A.  Kittredge.    Printed  on  handmade  XIII 
Century  paper  in  two  colors. 


Page  42  Examples:  Folders 

877  Folder,  Evolulion  of  the  Alphabet;  4  pages,  Japanese  fold,  3^<4  x  6; 
printed  and  exhibited  by  William  A.  Kittredge.  Printed  on 
handmade  XIII  Century  paper  in  one  color. 

878  Folder,  The  Winged  Lion  of  St.  Mark;  8  pages,  3^x6;  printed 
and  exhibited  by  William  A.  Kittredge.  Printed  on  handmade 
XIII  Century  buff  paper  in  one  color. 

879  Folder,  Mss.  Makiiig;  4  pages,  Japanese  fold,  3^  x  6; 
printed  and  exhibited  by  William  A.  Kittredge.  Printed  on 
handmade  XIII  Century  paper  in  two  colors  and  gold  with  half- 
tone tip-on. 

880  Folder,  Block  Printing;  4  pages,  Japanese  fold,  3^  x  6;  printed 

and  exhibited  by  William  A.  Kittredge.     Printed  on  handmade 
XIII  Century  paper  in  two  colors. 

896  Folder,  Gift;  4  pages,  6x7;  printed  and  exhibited  by  Alfred  B. 
Kennedy,  Oakland,  California.  Printed  on  handmade  Kelm- 
scott  paper. 

908  Folder,  Menu;  4  pages,  5x8;  designed  by  Barnard  C.  Lewis; 
printed  and  exhibited  by  the  Stetson  Press.  Printed  on  hand- 
made Etruria  paper  in  two  colors. 

909  Folder,  The  Italian  Room;  4  pages,  5K  x  8^;  designed  by  Bar- 
nard C.  Lewis;  printed  and  exhibited  by  the  Stetson  Press. 
Printed  for  the  Copley  Plaza  Hotel  on  handmade  Florentine 
paper  with  a  tip-on,  two  colors. 

912  Folder,  We  Announce  the  Removal;  4  pages,  5%  x  9^^;  printed 
and  exhibited  by  J.  H.  Rook  Company.  Printed  on  handmade 
Japanese  Shadow  paper  in  colors;  tip-on  of  handmade  Japan- 
ese Vellum  paper. 

915  Folder,  The  Printing  Press;  8  pages,  5x8;  printed  and  exhibited 
by  Edwin  &  Robert  Grabhorn.  Printed  on  handmade  XIII 
Century  paper. 

916  Folder,  Interior  Decoration;  4  pages,  8  x  li;  printed  and  exhib- 
ited by  De  Vinne  Press.  Printed  on  handmade  Italian  paper 
in  two  colors. 

918  Folder,  Bon  Souvenir  de  Noel;  4  pages,  6x8;  designed  by  W.  J. 
Moll;  printed  and  exhibited  by  Proctor  &  Collier  Company. 
Printed  for  W.  J.  Moll  on  handmade  Japanese  Suruga  paper, 
one  color. 


Examples:  Folders  Pagf  43 

Folder,  Le  Monde  ou  I'On  s'Ennuie;  4  pages,  6>2  x  9;  printed  and       921 
exhibited  by  Carl  J.  H.  Anderson  in  one  color  on  handmade 
soft  Japan  paper. 

Folder,  Announcement;  4  pages,  j}4  x  10^;  designed  and  printed       923 
by  the  students,  Department  of  Printing,  Carnegie  Institute  of 
Technology.    Printed  on  handmade  Spanish  paper  in  two  colors. 

Folder,  The  Playhouse;  4  pages,  5^  x  8>^;  printed  and  exhib-       926 
ited    by    Horace    Carr.     Printed  on   Fabriano    Cover   in    one 
color. 

Folder,  Sussex  Print  Works;  4  pages,  6x8;  printed  and  exhibited       928 
by  the  Hiram  Sherwood  Printing  Company.     Printed  for  Sus- 
sex Print  Works  on  handmade  Aurelius  paper  in  two  colors. 

Folder,  Dreicer  l^  Company;  4  pages,  Japanese  fold;  printed  and       932 
exhibited  by  Norman  T.  A.  Munder  &  Company.     Printed  for 
Dreicer  Company  in  one  color  with  illustration  on  Normandy 
Vellum  paper. 

Folder,  Ladies^  Home  Journal  Christmas  Folder,  Madonna;  4       936 
pages,  Japanese  fold,  6x9;  printed  for  Curtis  Publishing  Com- 
pany; designed  by  T.  M.  Cleland;  printed  and  exhibited  by 
Norman  T.  A.  Munder  &  Company.     Printed  in  two  colors 
on  handmade  Etruria  paper  with  half-tone  tip-on. 

Folder,  Ladies'  Home  Journal  Christmas  Folder,  Shepherd  Picture;       93  8 
printed  for  Curtis  Publishing  Company;  designed  by  Edward 
Edwards.     Printed  and  exhibited  by  Norman  T.  A.  Munder  & 
Company  in  three  colors  and  gold  on  handmade  Florentine  paper. 

Folder,  Girls'  Club  Christmas  Folder,  Sea;  4  pages,  sKx  8;  printed       939 
for  Curtis  Publishing  Company;  designed  by  Edward  Edwards; 
printed  and  exhibited  by  Norman  T.  A.  Munder  &  Company. 
Printed  on  handmade  Japanese  Vellum  paper;  half-tone  in  colors. 

Folder,    Atnerican    Institute    of   Graphic    Arts    Announcement;       943 
4  pages,  8  x  10;  printed  for  American  Institute  of  Graphic  Arts; 
printed  and  exhibited  by  Norman  T.  A.  Munder  &  Company. 
Printed  in  two  colors  on  handmade  Kelmscott  paper. 

Folder,  Retrospect  and  Prospect;  4  pages,  5^  x  8;  designed  by       971 
0.  W.  Jaquish  Jr.  for  Irving  National  Bank;  printed  and  ex- 
hibited by  Redfield-Kendrick-Odell  Company.   Printed  on  hand- 
made Arnold  cards  in  two  colors. 


Page  44  EXAMPLES:  Folders 

971A  Folder,  At  Ilotne;  4  pages,  Japanese  fold,  s}4  x  8;  exhibited  by 
George  King  &  Sons.  Printed  on  handmade  Italian  paper  in 
two  colors. 

1009  Folder,  Appreciation;  4  pages;  composition  by  Bertha  Goudy; 
printed  and  exhibited  by  Norman  T.  A.  Munder  &  Company. 
Printed  on  handmade  Kelmscott  paper. 

1 149  Folder,  It  Pays;  2H  x  4>i;  designed  by  Jay  Chambers  for  Japan 
Paper  Company;  printed  and  exhibited  by  William  E.  Rudge, 
Printed  on  handmade  Florentine  paper. 

1 174  Folder,  Christmas  Greetings;  5  x  6}4',  printed  and  exhibited 
by  T.  M.  Cleland.  Printed  on  handmade  Kelmscott  paper 
in  two  colors. 

1177  Folder,  Matsumoto;  3^  x  5;  designed  by  William  E.  Rudge  for 
Japan  Paper  Company;  exhibited  by  Japan  Paper  Company. 
Printed  by  William  E.  Rudge  on  Japanese  handmade  Matsum- 
oto paper  in  two  colors. 

1177B  Folder,  4  pages;  Japanese  fold;  designed  by  Jay  Chambers  for 
Japan  Paper  Company;  exhibited  by  Japan  Paper  Company. 
Printed  by  William  E.  Rudge  on  handmade  Korean  paper  in 
two  colors. 

1 179  Folder,  Hottagami;  3>^  x  4^2;  designed  by  Jay  Chambers  for 
Japan  Paper  Company;  exhibited  by  Japan  Paper  Company. 
Printed  by  Marchbanks  Press  on  handmade  Hottagami  paper 
in  one  color. 

1182A  Folder,  2>:tx  5;  printed  for  and  exhibited  by  Japan  Paper  Com- 
pany. Printed  by  William  E.  Rudge  on  handmade  Japanese 
Vellum  paper. 

1 183  Folder,  3^^  x  5^2;  exhibited  by  Japan  Paper  Company. 
Printed  by  Marchbanks  Press  on  handmade  Japanese  Vellum 
paper,  color  half-tone. 

1 1 86  Folder,  Japanese  fold;  3K  x  5;  designed  by  Miss  R.  C.  Kirby 
for  Japan  Paper  Company;  exhibited  by  Japan  Paper  Company. 
Printed  by  Lehmaier  Brothers  on  handmade  Spanish  paper. 

1 195  Folder,  Lombardia;  5x8;  exhibited  by  Japan  Paper  Company. 
Printed  by  Marchbanks  Press  for  Japan  Paper  Company  in  one 
color  on  handmade  Lombardia  paper. 


Examples:  Folders  Pagers 

Folder,  4  pages;  4x9;  printed  and  exhibited  by  Marchbanks  I2o8a 
Press  Printed  in  two  colors  on  handmade  Toyogami  paper. 

Folder,  lyogami;  3>^  x  8;  exhibited  by  Japan  Paper  Company.     1217 
Printed  for  Japan  Paper  Company  by  Marchbanks  Press  in  one 
color  on  handmade  Japanese  lyogami  paper. 

Folder,  Price  List  I  and  II;  4  x  5>^;  printed  and  exhibited  by     1226 
William  E.  Rudge.     Printed  for  Japan  Paper  Company  in  one 
color  on  handmade  Japanese  Vellum  paper. 

Folder,  Handmade  Papers;  7  x  11;  exhibited  by  Japan  Paper  1226A 
Company.    Printed  in  two  colors  on  handmade  Japanese  paper. 

Folder,  A  Portrait  Etching;  4  pages,  Japanese  fold,  9,}i  x  11;     1400 
exhibited    by   William    E.    Rudge;    printed   for   Elmer  Adler, 
Rochester.     Engraved  and  printed  by  the  Manhattan  Photo- 
gravure Company  on  handmade  Kelmscott  paper  in  two  colors. 

Folder,  Fugiyama;  4  pages,  7%  x  12;  printed  and  exhibited  by     1402 
the  Holmes  Press.     Printed  for  Japan  Paper  Company  on  hand- 
made Fugiyama  paper  in  two  colors. 

Folder,  Consolidatioji  Announcement;  4  pages,  7x9;  designed     1404 
by  William  E.  Kittredge  for  A.  H.  Sickler  &  Franklin  Printing 
Company.     Printed  by   Franklin  Printing  Company.     Stock, 
handmade  ItaHan  paper. 

Folder,  The  Locomobile  Company;  4  pages,  6^  x  9^;  designed     1406 
by  T.  M.  Cleland  for  The  Locomobile  Company.     Printed  by 
T.  M.  Cleland  on  handmade  Fabriano  paper  in  two  colors. 

Folder,  Invitation  for  Business  Show;  4  pages,  7^  x  10^;  de-     1410 
signed   by   Porter  Garnett;   printed   and   exhibited   by  H.   S. 
Crocker  &  Company  on  handmade    Fabriano    paper   in    two 
colors. 

Folder,  The  1919  Alexander  Book;  4  pages;  exhibited  by  Norman 
T.  A.  Munder  &  Company.  Printed  for  Alexander  Brothers. 
End  and  fly  leaf,  handmade  French  Marble  paper. 

Folder,  Italian  Handmade  Paper;  4  pages,  I0>|  x  12^;  printed 
and  exhibited  by  Norman  T.  A.  Munder  &  Company.  Printed 
for  Japan  Paper  Company  on  handmade  Fabriano  paper  in  two 
colors. 


Page /^6  Examples:  Trims 

PRINTS 

975  Print,  l^ie  Rice  Institute;  19  x  24;  printed  for  the  Rice  Institute; 
printed  and  exhibited  by  De  Vinne  Press.  Printed  on  Sheep- 
skin Parchment. 

978  Print,  Centaur  Type  Specimen;  ii/^  x  17/4;  designed  by  Bruce 
Rogers;  exhibited  by  the  Metropolitan  Museum  of  Art.  Printed 
for  the  MetropoUtan  Museum  of  Art  in  one  color  on  handmade 
Glaslan  paper. 

978A  Print,  The  Graphica;  li  x  14;  designed  by  F.  W.  Goudy;  printed 
and  exhibited  by  Marchbanks  Press.  Printed  for  F.  W. 
Goudy  in  one  color  on  handmade  Japanese  Vellum  paper. 

980  Print,  Broadside;  15  x  20;  printed  and  exhibited  by  William  E. 
Rudge.  Printed  for  Pamela  Eakins  in  one  color  on  handmade 
Umbria  paper. 

981  Print,  Gettysburg  Speech;  19  x  26;  designed  by  F.  W.  Goudy; 
printed  and  exhibited  by  William  E.  Rudge.  Printed  on  hand- 
made Fabriano  paper  in  one  color. 

982  Print,  In  Flanders  Field;  22  x  30;  printed  and  exhibited  by  Wil- 
liam E.  Rudge.  Printed  in  two  colors  on  handmade  San  Marco 
paper. 

984  Print,  Her  Service  Cross;  17  x  22^;  printed  and  exhibited  by 
William  E.  Rudge.  Printed  in  two  colors  on  handmade  Fabri- 
ano paper. 

985  Print,  His  Service  Star;  17  x  22^;  printed  and  exhibited  by 
William  E.  Rudge.  Printed  in  two  colors  on  handmade  Fabri- 
ano paper. 

"987  Print,  The  President's  Address;  22  x  30;  by  F.  W.  Goudy  for 
Victor  Electric  Company;  exhibited  by  F.  W.  and  Bertha  Goudy. 
Printed  by  Marchbanks  Press  on  handmade  Arnold  paper  in 
two  colors. 

"988  Print,  Le  Bonheur  de  ce  Monde;  \o%  x  15K;  composition  by 
Bertha  Goudy;  exhibited  by  F.  W.  and  Bertha  Goudy.  Printed 
by  hand  on  handmade  French  paper. 

990  Print,  Diploma;  19  x  25;  printed  and  exhibited  by  De  Vinne 
Press.     Printed  on  Sheepskin  Parchment. 


Examples:  '[Posters  Page  \7 

Print,  Caslon  Type  Specimen;  ll  x  i6;  printed  and  exhibited  by     994A 
Marchbanks  Press.     Printed  on  handmade  Japanese  paper. 

Print,  Ye  Feasie;Sx  11;  printed  and  exhibited  by  Oswald  Press.     *995 
Printed  in  two  colors  on  handmade  Japanese  paper. 

Print,  fFah  Whitmayi;  S}4  x  10;  designed  for  Porter  Garnett;  iooia 
printed  and  exhibited  by  H.  S.  Crocker  Company.     Printed  in 
one  color  on  handmade  Torinoko  paper. 

Print,  The  New  Campanile;  14  x  20;  printed  and  exhibited  by     1007 
Norman  T.  A.  Munder  &  Company.     Printed  on  handmade 
Japanese  Vellum  paper. 

Print,  The  Lioness;  ll  x  20;  printed  and  exhibited  by  Norman     loio 
T.  A.  Munder  &  Company.     Printed  on  handmade  Japanese 
Vellum  paper. 

Print,  The  Bargello;  14  x  20;  printed  and  exhibited  by  Norman     1013 
T.  A.  Munder  &  Company.     Printed  on  handmade  Japanese 
Vellum  paper. 

Print,  Candlemas;  12x18;  printed  and  exhibited  by  Horace  Carr.  1023A 
Printed  on  handmade  Fabriano  paper. 

Print,  C.  E.  Billings;  ioj4  x  13 Mj  privately  printed;  designed  by  1023B 
Franklin  Booth.     Printed  on  handmade  Japanese  Vellum  paper. 

Print,  8^x11;  exhibited  by  Japan  Paper  Company.    Printed  1026A 
for  Japan  Paper  Company  by  Marchbanks  Press  in  two  colors 
and  gold  on  handmade  Kelmscott  paper. 

Print,  Trappings  of  War;  16  x  20;  designed  and  exhibited  by  109IA 
Rosa    Brothers.     Printed    in    black   on    handmade    Kelmscott 
paper. 

Print,  color;  15  x  20;  printed  in  Paris  by  L.  George  Lepate;  ex-     1500 
hibited  by  Douglas  C.  McMurtrie.     Printed  in  gold  and  tipped 
on  handmade  San  Marco  paper. 

POSTERS 

Poster,  Tokogawa;  12x6;  designed  by  Harrie  A  Bell;  exhibited     1450 
by  Japan  Paper  Company.     Printed  for  Japan  Paper  Company 
by  the  Holmes  Press  in  two  colors  on  handmade  Tokogawa 
paper. 


Page  4^  Examples:  Toasters 

145 1  Poster,  Summer;  y'jA  x  12;  designed  by  M.  Y.  Foster;  exhibited 
by  Japan  Paper  Company.  Printed  for  Japan  Paper  Company 
by  William  E.  Rudge  in  two  colors  on  handmade  XIII  Century 
paper. 

1452  Poster,  Rabbit  Poster;  ()}4  x  12;  designed  by  Jay  Chambers; 
printed  by  William  E.  Rudge;  exhibited  by  Japan  Paper  Com- 
pany. Printed  for  Japan  Paper  Company  in  two  colors  on 
Fabriano  Cover  paper. 

1454  Poster,  Alherti  Poster;  \\%  x  17;  designed  by  Jay  Chambers; 
exhibited  by  Japan  Paper  Company.  Printed  by  WilHam  E. 
Rudge  for  Japan  Paper  Company  in  two  colors  on  handmade 
Florentine  paper. 

1455  Poster,  Boat  and  Birds;  designed  by  E.  Goldberg  for  Japan  Paper 
Company.  Printed  by  Marchbanks  Press  on  handmade  Japan- 
ese Mikumo  paper  in  two  colors. 

1455A  Poster,  Summer  Poster;  11x7;  designed  by  M.  F.  Foster;  ex- 
hibited by  Japan  Paper  Company.  Printed  for  Japan  Paper 
Company  by  Marchbanks  Press  in  two  colors  on  handmade 
Japanese  Momoyama  paper. 

1456  Poster,  Shadow  Poster;  15  x  20;  designed  and  printed  by  March- 
banks  Press  for  Japan  Paper  Company;  exhibited  by  Japan 
Paper  Company.  Printed  on  handmade  Shadow  paper  in  two 
colors. 

1457  Poster,  Old  China  and  Chinese  Paper;  14  x  22J/2 ;  designed  by  Jay 
Chambers;  printed  by  Marchbanks  Press  for  Japan  Paper  Com- 
pany; exhibited  by  Japan  Paper  Company.  Printed  in  two  col- 
ors on  handmade  Chinese  Hangchow  paper. 

1458  Poster,  Foreign  Relations;  19  x  26;  printed  for  Japan  Paper  Com- 
pany by  Rogers  &  Company;  exhibited  by  Japan  Paper  Com- 
pany.    Printed  in  two  colors  on  handmade  Fabriano  paper. 

Poster,  Firecracker  Poster;  15  x  22;  exhibited  from  the  Henry 
L.  Spark's  Collection.  Printed  for  Japan  Paper  Company  in 
black  and  gold  on  handmade  Chinese  Firecracker  paper. 

Poster,  Honor  Roll;  ig}4  x  37X;  printed  and  exhibited  by  De 
Vinne  Press.  Printed  an  handmade  Japanese  Vellum  paper  in 
two  colors. 


Examples  :  £ards  Page  49 


CARDS 

Card  Announcement,  4x6;  printed  and  exhibited  by  William     1 15 1 
E.  Rudge.     Printed  for  William  E.  Rudge  on  handmade  Arnold 
card  in  two  colors. 

Card   Announcement,   3J^   x   5J/2;   printed   and   exhibited   by     1156 
William   E.   Rudge.     Printed   for  Japan   Paper  Company  on 
handmade  Roman  card  in  two  colors. 

Christmas  Card,  4  x  6>4  for  Harrie  A.  Bell;  designed  by  Harrie     1161 
A.  Bell;  printed  and  exhibited  by  Holmes  Press.     Printed  on 
handmade  Arnold  card  in  two  colors. 

Card,  1%^  x  3^;  printed  and  exhibited  by  Edwin  H.  Stuart.     1163 
Printed  for  Edwin  H.  Stuart  on  handmade  Aurelius  card,  double- 
fold. 

Card,  Christmas;  3^  x  6;  designed  and  printed  for  H.  E.  King;     1168 
printed  and  exhibited  by  George  W.  King  &  Sons.     Printed  on 
handmade  Japanese  Vellum  card  in  two  colors  and  gold. 

Card,  Christmas;  2  x  3^;  designed  by  H.  E.  King;  printed  and     1169 
exhibited  by  George  W.  King  &  Sons.   Printed  in  two  colors  on 
handmade  Japanese  Vellum  card. 

Card,  Torino  Card;  lyi  x  5^^;  designed  and  printed  by  WiUiam  1177A 
E.  Rudge  for  Japan  Paper  Company;  exhibited  by  Japan  Paper 
Company.     Printed  on  handmade  Torino  card  in  one  color. 

Card,  Christmas;  6x8;  designed  by  Jay  Chambers  for  Japan     iiSl 
Paper  Company;  exhibited  by  Japan  Paper  Company.    Printed 
by  Marchbanks  Press  on  handmade  Japanese  Vellum  card  in 
two  colors. 

Card,  Christmas;  5>^  x  7;  designed  by  Jay  Chambers  for  Japan     1 182 
Paper  Company;  exhibited  by  Japan  Paper  Company.     Printed 
by  Marchbanks  Press  in  three  colors  on  handmade  Yorokami 
paper. 

Card,  Christmas;  ^}'2  x  8>^;  designed  by  Jay  Chambers  for  Japan  1 182A 
Paper  Company;  exhibited  by  Japan  Paper  Company.     Printed 
by  Marchbanks  Press  on  handmade  Japanese  Vellum  card  in 
two  colors. 


Page  so  Examples:  (J)fCiscellaneous 

1 187  Card,  Christmas;  designed  by  Jay  Chambers  for  Japan  Paper 
Company;  exhibited  by  Japan  Paper  Company.  Printed  by 
Norman  T.  A.  Munder  &  Company  on  handmade  Japanese 
Vellum  paper  in  three  colors. 

Card,  11x14;  exhibited  by  the  Japan  Paper  Company.  Printed 
by  Marchbanks  Press  on  handmade  Japanese  Vellum  card. 

Card,  2  X  3>2;  printed  and  exhibited  by  Fairfield  Press;  printed 
for  Fairfield  Press  on  handmade  Japanese  Vellum  card  in  one 
color. 


MISCELLANEOUS 

1 1 10  Letterhead,  Japan  Paper  Company;  8^  x  1 1 ;  designed  by  Harrie 
A.  Bell;  printed  and  exhibited  by  the  Holmes  Press.  Printed  for 
Japan  Paper  Company  in  two  colors  on  Normandy  Vellum  paper. 

1 1 18  Letterhead,  Japan  Paper  Company;  7^  x  12;  designed  by  T.  B. 
Hapgood;  exhibited  by  Japan  Paper  Company.  Printed  for 
Japan  Paper  Company  on  handmade  XIII  Century  paper. 

1 120  Letterhead,  Japan  Paper  Company;  j]4  x  10;  exhibited  by  Japan 
Paper  Company.  Printed  by  Marchbanks  Press  for  Japan 
Paper  Company  on  handmade  Spanish  paper. 

1 121  Letterhead,  Japan  Paper  Company;  S}4  x  1 1 ;  exhibited  by  Japan 
Paper  Company;  printed  for  Japan  Paper  Company  by  the 
Irving  Press.  Printed  in  one  color  on  handmade  Inomachi 
Vellum  paper. 

1 132  Letterhead,  Japan  Paper  Company;  6x9;  printed  and  exhibited 
by  Marchbanks  Press.  Printed  for  Japan  Paper  Company  in 
one  color  on  handmade  French  Ingres  paper. 

1 143  Stationery,  Check;  printed  and  exhibited  by  the  Marchbanks 
Press  in  two  colors  on  handmade  Japanese  Vellum  paper. 

1205  Calendars,  14^  x  22;  printed  and  exhibited  by  Matthew-North- 
rup  Works  for  Manufacturers  &  Traders  National  Bank. 
Mounted  on  handmade  Savoie  Cover  paper. 


Examples:  iM^iscellaneous  Page  $i 

Eight  monthly  calendars,  4  x  9>^;  printed  and  exhibited  by     1208 
Marchbanks  Press.     Printed  in  one  color  on  various  handmade 
papers. 

Calendar,  3^^  x  8>^;  printed  and  exhibited  by  Marchbanks     1208 
Press.     Series  of  twelve;  all  on  handmade  Japanese  papers. 

Calendar,  S/i  x  7^2;  designed  by  O.  W.  Jaquish  Jr.;  exhibited  1210A 
by  Eugene  C.   Lewis    Co.;    printed  for  Eugene    C.  Lewis  Co. 
Stamped  in  black  and  gold  on  handmade  Florentine  paper. 

Label,  3H  X  SJ4;  exhibited  by  Japan  Paper  Company.     Printed  1217A 
for  Japan  Paper  Company  by  Marchbanks  Press  in  two  colors 
on  handmade  Japanese  Vellum  paper. 

Label,  Samples  from  Japan;  4^4  x  5K;  designed  by  Jay  Cham-     1218 
bers;  exhibited  by  Japan  Paper  Company.     Printed  for  Japan 
Paper  Company  by  Marchbanks  Press  in  two  colors  on  hand- 
made Japanese  Vellum  paper. 

Label,  Japan  Paper  Company;  ^J4  x  6^;  designed  by  Rosa     1220 
Brothers;  exhibited  by  Japan  Paper  Company;  printed  for  Japan 
Paper  Company  by  Tri-Arts  Press.     Printed  in  two  colors  on 
handmade  Japanese  Vellum  paper. 

Label,  4^  x  6}4f  printed  and  exhibited  by  the  Holmes  Press.  1220A 
Printed  in  two  colors  on  handmade  Japanese  Vellum  paper. 

Label,  3^  X  5^;  exhibited  by  Japan  Paper  Company.     Printed  1226B 
for  Japan  Paper  Company  by  Marchbanks  Press  in  two  colors 
on  handmade  Japanese  Vellum  paper. 

Label,  Jaquish  Label;  3  x  ^}4;  printed  for  0.  W.  Jaquish  Jr.;     1229 
printed  and  exhibited  by  Marchbanks  Press.     Printed  in  one 
color  on  handmade  Japanese  Vellum  paper. 

Label,  Ajiy  Port;  3^  x  6;  printed  for  Thomas  Nast  Fairbanks  by 
Marchbanks  Press;  exhibited  by  Japan  Paper  Company. 
Printed  in  one  color  on  handmade  XIII  Century  paper. 

Announcement,  Ancona  Poster;  9x13;  exhibited  by  Japan  Paper     1453 
Company.     Printed  for   Japan    Paper  Company,  by   March- 
banks  Press  in  two  colors  on  handmade  Ancona  cover  paper. 


Page  s^  Examples:  rJhdscellaneous 

1024  Book  Plates;  wood  cuts  printed  for  Grolier  Club,  Carteret  Book 
Club  and  Charles  Scribner's  Sons;  printed  and  exhibited  by- 
Rudolph  Ruzicka.     Printed  on  handmade  paper  in  colors. 

1008  Portfolio,  15  X  20;  designed  by  and  printed  for  Harvey  H.  Dunn; 
printed  and  exhibited  by  Norman  T.  A.  Munder  &  Company. 
Cover  and  end  leaves,  handmade  Roma  paper;  insert,  handmade 
Umbria  paper. 


THE    AWARDS 

In  the  ig20  Exhibition  of  Printing 
were  as  follows 

BOOKS 

Original  Drawings  by  the  Old  Masters  Gold  Medal 

Norman  T.  A.  Munder  &  Company,  Baltimore,  Md. 

Geofroy  Tory  Silver  Medal 

Riverside  Press,  Boston,  Mass. 

Theocritus  Bronze  Medal 

Riverside  Press,  Boston,  Mass. 

CATALOGUES 

The  Book  of  the  Locomobile  Gold  Medal 

T.  M.  Cleland,  New  York,  N.  Y. 

Catalogue  of  the  Loan   Exhibitions  of  Drawings  and 

Etchings  by  Rembrandt  Silver  Medal 

Taylor  &  Taylor,  San  Francisco,  Cal. 

Printing  Crafts  Building  Bronze  Medal 

The  Bartlett-Orr  Press,  New  York,  N.  Y. 

BOOKLETS 

Garden  Theatre  Program  Gold  Medal 

T.  M.  Cleland,  New  York,  N.  Y. 

Printers'  Marks  Silver  Medal 

The  Bartlett-Orr  Press,  New  York,  N.  Y. 

Lest  We  Forget  Bronze  Medal 

Franklin  Printing  Company,  Philadelphia,  Pa. 


Page  54  AwARDS 

FOLDERS 

Announcing  the  Publication  of  the  Frankhn  Satisfaction 

Series  Gold  Medal 

Franklin  Printing  Company,  Philadelphia,  Pa. 

Dignity  Silver  Medal 

Strathmore  Paper  Company,  Mittineague,  Mass. 

Italian  Hand  Made  Paper  Bronze  Medal 

Japan  Paper  Company,  New  York,  N.  Y. 

COLOR    PRINTS 

No,  40  Gold  Medal 

De  Vinne  Press,  New  York,  N.  Y. 

Vanity  Fair  Silver  Medal 

Electro-Light  Engraving  Co.,  New  York,  N.  Y. 

Reproduction  of  Painting  by  Georges  Lapape.  Bronze  Medal 

Douglas   C.    McMurtrie,   The   Arbor    Press, 
Greenwich,  Conn.,  and  New  York,  N.  Y. 


DISPLAY    CARDS 

The  March  of  the  Middle  Ages  Gold  Medal 

William  Edwin  Rudge,  New  York,  N.  Y. 

Adler-Rochester  Clothes  Silver  Medal 

William  Edwin  Rudge,  New  York,  N.  Y. 

Arrow  Collar  Bronze  Medal 

Cluett,  Peabody  &  Co.,  New  York,  N.  Y. 

PRINT  S— T  YPOGRAPHIC 

Twelve  Prints  by  Contemporary  American  Artists  Gold  Medal 

William  Edwin  Rudge,  New  York,  N.  Y. 

Gettysburg  Address  Silver  Medal 

William  Edwin  Rudge,  New  York,  N.  Y. 

Rosa  Brothers  Bronze  Medal 

Designed  by  Rosa  Brothers 


Awards P^g^ss"" 

CIRCULARS 

Sixth  Summer  Session  Silver  Medal 

Franklin  Printing  Company,  Philadelphia,  Pa. 

Resolutions  bronze  Medal 

Metropolitan  Museum  of  Art,  New  York,  N.  Y. 

LABELS 

No-  1 220  Bronze  Medal 

Japan  Paper  Company,  New  York,  N.  Y. 

CARDS 
Nestle's  Food  Company  Bronze  Medal 

Designed  and  printed  by  T.  M.  Cleland,  New  York,  N.  Y. 

POSTERS 
Printing  Exhibition  Gold  Medal 

American  Institute  of  Graphic  Arts,  New  York,  N.  Y. 

Old  China  and  Old  Chinese  Paper  Silver  Medal 

Japan  Paper  Company,  New  York,  N.  Y. 

Carnegie  Institute  Bronze  Medal 

William  Edwin  Rudge,  New  York,  N.  Y. 

ADVERTISEMENTS 

How  Packard  Balance  Reduces  Transportation  Costs       Gold  Medal 
Franklin  Printing  Company,  Philadelphia,  Pa. 

Matching  the  Growth  of  American  Business  Silver  Medal 

Irving  National  Bank,  New  York,  N.  Y. 

Composition  by  Marchbanks  Press,  New  York,  N.  Y. 

^"  Bronze  Medal 

William  A.  Kittredge,  Philadelphia,  Pa. 


Page  56 


Awards 


STATIONERY 

No.  1 1 13  Letter  Heading  Gold  Medal 

O.  W.  Jaquish  Jr.,  New  York,  N.  Y. 

Friends  of  France  Silver  Medal 

Taylor  &  Taylor,  San  Francisco,  Cal. 

No.  1 121  Letter  Heading  Bronze  Medal 

Japan  Paper  Company,  New  York,  N.  Y. 


CALENDARS 

Calendar  Series 

Marchbanks  Press,  New  York,  N.  Y. 

Paper  House  of  New  England 


Gold  Medal 


Silver  Aledal 


Paper  House  of  New  England,  Springfield,  Mass. 

Cut-Out  Calendars  Bronze  Medal 

William  Edwin  Rudge,  New  York,  N.  Y. 


MAPS 

Redfield-Kendrick-Odell  Co.,  New  York,  N.  Y.  Silver  Medal 

Matthews-Northrup  Works,  Buffalo,  N.  Y.  Bronze  Medal 


Officers — Directors 


Page  57 


The  American- 
Institute  OF  Graphic  Arts 


Officers 
Honorary  Presidejit  Charles  Dana  Gibson 


President 
Arthur  S.  Allen 

Vice-President 
Arthur  W.  Dow 

Vice-President 
Fred  W.  Goudy 


Vice-President 
Ray  Greenleaf 

Secretary 

P.  H.  Bancroft 

Treasurer 

Hal  Marchbanks 


Three-Year  Term 

Cyril  Nast 

Frederick  A.  Ringler 

J.  H.  Chapin 


Directors 


Tzvo-Year  Term 

J.  Thomson  Willing 

Clarence  H.  White 

Thomas  N.  Fairbanks 


One-Year  Term 

Heyworth  Campbell 

William  Edwin  Rudge 

Edward  B.  Edwards 


Page  58  Committees 


Committee  on  Printing  Exhibit 

Arthur  S.  Allen  Chairmmi 

Henry  L.  Bullen  Hal  Marchbanks 

Arthur  W.  Dow  Norman  T.  A.  Munder 

Edward  B.  Edwards  P.  J.  Bayzand 

Edward  Epstean  John  Clyde  Oswald 

Harry  L.  Gage  William  E.  Rudge 

Fred  W.  Goudy  H.  Scott  Train 

D.  B.  Hassinger  Clarence  H.  White 

Edward  A.  Kendrick  George  A.  Nelson 
O.  W.  Jaquish  Jr.  Secretary 


Committee  of  Judges 

Paul  W.  Brockett  Henry  Lewis  Johnson 

Ernest  Elmo  Calkins  John  Clyde  Oswald 

Fred  G.  Cooper  Bruce  Rogers 

Arthur  W.  Dow  Carl  P.  Rollins 

Walter  Gilliss  Rudolph  Ruzicka 

Bertram  Goodhue  D.  B.  Updike 

Fred  W.  Goudy  Clarence  H.  White 


Objects  Page  59 


The  American 
Institute  of  Graphic  Arts 

OBJECTS 

TO  STIMULATE  and  encourage  those  engaged 
in  the  graphic  arts;  to  form  a  center  for  inter- 
course and  for  exchange  of  views  of  all  interested 
in  these  arts;    to  publish  books  and  periodicals, 
to  hold  exhibitions  in  the  United  States  and  to 
participate  as  far  as  possible  in  the  exhibitions  held 
in  foreign  countries  relating  to  the  graphic  arts; 
to  invite  exhibits  of  foreign  work;    to  stimulate 
the  public  taste  by  schools,  exhibitions,  lectures 
and  printed  matter,  promote  the  higher  education 
in  these  arts,  and  generally  to  do  all  things  which 
will  raise  the  standard  and  aid  the  extension 
and   development   toward   perfection 
of  the  graphic  arts  in  the 
United  States 


Privately  Printed  for 

JAPAN   PAPER   COMPANY 

By 
Redfield-Kendrick-Odell  Co. 


J^^zv   Tor{^ 


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